{"id":10766,"date":"2024-06-01T14:40:20","date_gmt":"2024-06-01T14:40:20","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=10766"},"modified":"2024-06-01T14:40:30","modified_gmt":"2024-06-01T14:40:30","slug":"poezia-de-limba-romana-din-israel","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2024\/06\/01\/poezia-de-limba-romana-din-israel\/","title":{"rendered":"Poezia de limb\u0103 rom\u00e2n\u0103 din Israel, Cronic\u0103 de carte"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Publicul din \u021bar\u0103 nu este, \u00een general, familiarizat cu activitatea literar\u0103 desf\u0103\u0219urat\u0103 \u00een limba rom\u00e2n\u0103 \u00een Israel. Astfel, Ion Cristofor \u00ee\u0219i propune s\u0103 ilumineze un segment cultural important, dar adesea trecut cu vederea, contribuind semnificativ la cunoa\u0219terea \u0219i aprecierea literaturii rom\u00e2ne\u0219ti din diaspora israelian\u0103. \u00cen lucrarea sa, <em>O istorie a literaturii de limb\u0103 rom\u00e2n\u0103 din Israel<\/em> (Editura Napoca Star, Cluj \u2013 Napoca, 2023), structurat\u0103 \u00een dou\u0103 sec\u021biuni distincte \u2013 <em>Poe\u021bii<\/em> \u0219i <em>Poezie \u0219i Umor<\/em> \u2013, sunt prezenta\u021bi, \u00een ordine alfabetic\u0103, peste cincizeci de autori, ale c\u0103ror repere de crea\u021bie sunt tratate cu fin\u0103 acuitate de c\u0103tre Ion Cristofor. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Livia Abba se eviden\u021biaz\u0103 prin medita\u021bia profund\u0103 asupra unor evenimente grave, cum ar fi pandemia de Covid. Emilia Ataba exploreaz\u0103 intens sentimentul \u00eenstr\u0103in\u0103rii, aduc\u00e2nd \u00een prim-plan experien\u021bele personale ale alien\u0103rii. \u00cen contrast, Gabriela Baddour, de\u0219i adept\u0103 a unui modernism temperat, nu renun\u021b\u0103 la valorile clasice, integr\u00e2nd armonia rimei \u0219i ritmului \u00een crea\u021biile sale. Cea care-l impresioneaz\u0103 pe antologator, de\u0219i preg\u0103tirea ei este \u00een domeniul artelor plastice, este Beatrice Bernath, din a c\u0103rei oper\u0103 liric\u0103 sunt redate numeroase texte. Etgard Bitel este preocupat de trecerea inexorabil\u0103 a timpului \u0219i, asemenea lui Faust, \u00eencearc\u0103 s\u0103-l opreasc\u0103 \u00een loc (\u201eVolumele publicate \u2013 <em>Femina <\/em>\u0219i <em>Intersec\u021bii<\/em> ne ofer\u0103 prilejul de a descoperi un poet al esen\u021bialului\u201d). Poemele Marlenei Braester, recent descoperite de c\u0103tre Ion Cristofor (dup\u0103 cum el \u00eensu\u0219i m\u0103rturise\u0219te) pe unul dintre site-urile literare, constituie \u201eun spa\u021biu simbolic cu semnifica\u021bii multiple\u201d, invit\u00e2nd cititorul \u00eentr-o lume de ad\u00e2nc\u0103 reflec\u021bie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Felix Caroly, o voce proeminent\u0103 \u00een peisajul poeziei israeliene de limb\u0103 rom\u00e2n\u0103 \u2013 a\u0219a cum \u00eel caracterizeaz\u0103 Ion Cristofor -, revine \u00een prim-plan cu o remarcabil\u0103 crestoma\u021bie de autor, intitulat\u0103 <em>Sertarul cu iluzii<\/em>. Lirica sa parcurge o evolu\u021bie semnificativ\u0103, de la exerci\u021bii pe teme clasice, precum evocarea unor epoci mai faste, c\u0103tre o estetic\u0103 baudelairian\u0103 a ur\u00e2tului. Iudit Coman se apropie \u00eentr-o manier\u0103 inedit\u0103 de propria fiin\u021b\u0103 l\u0103untric\u0103, explor\u00e2nd cu sensibilitate \u0219i profunzime abisurile sinelui. Adrian Grauenfels este descris drept \u201eun poet postmodern, de mari resurse, cu un talent ce nu \u0219i-a dezv\u0103luit \u00eenc\u0103 toate dimensiunile\u201d. Riri Sylvia Manor, laureat\u0103 a prestigiosului Festival Interna\u021bional de Poezie \u201eLucian Blaga\u201d, edi\u021bia a XI-a, se distinge printr-o poezie de factur\u0103 intelectualist\u0103. Ea reu\u0219e\u0219te s\u0103 \u00eembine ingenios, \u00eentr-un echilibru aproape oficinal, elementele cotidianului cu acelea livre\u0219ti. Aceast\u0103 abordare dual\u0103 confer\u0103 operei sale o complexitate aparte, \u00een care banalul devine pretext pentru medita\u021bii filozofice \u0219i introspec\u021bii ad\u00e2nci. Utiliz\u00e2nd un limbaj precis \u0219i rafinat, Manor exploreaz\u0103 temele universale ale existen\u021bei umane, de la efemeritatea vie\u021bii, p\u00e2n\u0103 la c\u0103utarea sensului \u00een haosul cotidian. \u00cen aceast\u0103 alchimie subtil\u0103, fiecare poem devine o miniatur\u0103 atent lucrat\u0103, \u00een care sensurile se reveleaz\u0103 strat dup\u0103 strat, invit\u00e2nd cititorul la o lectur\u0103 atent\u0103 \u0219i reflexiv\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dintre poe\u021bii care i-au atras aten\u021bia lui Ion Cristofor, printr-un discurs liric bine sus\u021binut, \u00eei men\u021bion\u0103m pe Shaul Carmel, Luiza Carol, A. Clain, Sebastian Costin, Sandu David, Madeleine Davidsohn, Andrei Fischof, Maria G\u0103itan \u2013 Mozes, Albert Goldenberg, Mircea Gorun, Solo Har, Sf\u00e2ntul Ioan Iacob Hozevitul, Iulius Iancu, Mioara Iarchi \u2013 Leon, Solo Juster, Paul Kidron, Radu Klapper, Rabanit Debora Landman, Tania Lovinescu, Bianca Marcovici, Liana Maxy, Ana Negreanu, Sesto Pals, Noemi Pavel, Paul P\u0103un, M. Rudich, Silviu Sanie, Eran Sela \u0219.a.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen cea de a doua sec\u021biune, reg\u0103sim pe unul dintre cei mai populari poe\u021bi, afirmat cu preponderen\u021b\u0103 \u00een perioada monarhic\u0103 \u2013 este vorba despre Ion Pribeagu. \u201ePline de haz, verv\u0103, inven\u021bie verbal\u0103, aciditate umoristic\u0103, poemele autorului sunt caracterizate de virtuozitate formal\u0103, de o sub\u021bire ironie sentimental\u0103\u201d (\u0218i-l \u00eentreab\u0103 mama dulce\/Ce-ai dori tu bun\u0103oar\u0103\/S\u0103-\u021bi aduc\u0103 mama drag\u0103\/Fr\u0103\u021bior sau surioar\u0103?\/\/Davidel z\u00e2mbind r\u0103spunse<br>F\u0103r\u0103 nici o etichet\u0103\/-Dac\u0103 a\u0219 \u0219ti c\u0103 nu te doare\/A\u0219 dori o biciclet\u0103!\u201d \u2013 <em>Dorin\u021ba lui Davidel<\/em>).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen concluzie, cartea <em>Istoria literaturii de limb\u0103 rom\u00e2n\u0103 din Israel<\/em> reprezint\u0103 o contribu\u021bie esen\u021bial\u0103 la \u00een\u021belegerea unei literaturi mai pu\u021bin cunoscute, dar extrem de valoroase. Printr-o analiz\u0103 riguroas\u0103 \u0219i cuprinz\u0103toare, Ion Cristofor pune la dispozi\u021bia cititorilor nu doar o panoram\u0103 evolutiv\u0103, ci \u0219i o incursiune profund\u0103 \u00een operele \u0219i vie\u021bile poe\u021bilor \u0219i scriitorilor care \u0219i-au g\u0103sit inspira\u021bia pe meleagurile israeliene. Aceast\u0103 lucrare nu doar c\u0103 documenteaz\u0103 \u0219i contextualizeaz\u0103 evolu\u021bia literaturii de limb\u0103 rom\u00e2n\u0103 din Israel, dar reu\u0219e\u0219te \u0219i s\u0103 eviden\u021bieze contribu\u021bia acesteia la patrimoniul cultural global, subliniind leg\u0103turile profunde dintre identitatea na\u021bional\u0103 \u0219i experien\u021bele universale ale exilului, \u00eenstr\u0103in\u0103rii \u0219i integr\u0103rii.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Publicul din \u021bar\u0103 nu este, \u00een general, familiarizat cu activitatea literar\u0103 desf\u0103\u0219urat\u0103 \u00een limba rom\u00e2n\u0103 \u00een Israel. Astfel, Ion Cristofor \u00ee\u0219i propune s\u0103 ilumineze un segment cultural important, dar adesea trecut cu vederea, contribuind semnificativ la cunoa\u0219terea \u0219i aprecierea literaturii rom\u00e2ne\u0219ti din diaspora israelian\u0103. \u00cen lucrarea sa, O istorie a literaturii de limb\u0103 rom\u00e2n\u0103 din &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2024\/06\/01\/poezia-de-limba-romana-din-israel\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">Poezia de limb\u0103 rom\u00e2n\u0103 din Israel, Cronic\u0103 de carte<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10766","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/10766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=10766"}],"version-history":[{"count":2,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/10766\/revisions"}],"predecessor-version":[{"id":10768,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/10766\/revisions\/10768"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=10766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=10766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=10766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}