{"id":11284,"date":"2024-10-04T07:13:07","date_gmt":"2024-10-04T07:13:07","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=11284"},"modified":"2024-10-05T07:07:13","modified_gmt":"2024-10-05T07:07:13","slug":"suita-de-ana-m-aria-cronica-de-carte-in-lucru","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2024\/10\/04\/suita-de-ana-m-aria-cronica-de-carte-in-lucru\/","title":{"rendered":"\u0218ui\u021ba de Ana M. Aria (Cronic\u0103 de carte \u00een lucru)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u00cen romanul&nbsp;<em>\u0218ui\u021ba <\/em><em>(Editura Scrisul Rom\u00e2nesc, Craiova, 2024)<\/em>, thriller semnat de Ana M. Aria, scriitoarea sub pseudonim, construie\u0219te o intrig\u0103 axat\u0103 pe o obsesie singular\u0103: apari\u021bia constant\u0103 a unui mamifer enigmatic, descris de autoare drept \u201eun ghemotoc ro\u0219cat, bl\u0103nos\u201d, a c\u0103rui caracteristic\u0103 principal\u0103 este agerimea, manifestat\u0103 prin vigilen\u021b\u0103 \u0219i vitez\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Romanul, structurat \u00een unsprezece capitole \u0219i un epilog, dezvolt\u0103 o paralel\u0103 subtil\u0103 cu&nbsp;<strong><em>Povestea lui Harap-Alb<\/em><\/strong>&nbsp;de Ion Creang\u0103. Asemenea mezinului din poveste, care \u00eent\u00e2lne\u0219te mereu sp\u00e2ni \u0219i ajunge s\u0103 cread\u0103 c\u0103 se afl\u0103 \u00een \u021bara lor, motiv pentru care abdic\u0103 de la sfatul p\u0103rintesc (de a se feri de omul sp\u00e2n), protagonista Ana \u00ee\u0219i \u00eentre\u021bine propria obsesie fa\u021b\u0103 de \u0219ui\u021b\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aceast\u0103 confuzie genereaz\u0103 un tip de umor specific, prezent at\u00e2t la Creang\u0103, povestitorul clasic al literaturii rom\u00e2ne, c\u00e2t \u0219i \u00een romanul de fa\u021b\u0103. Autoarea recurge la umor prin reac\u021bii, precum: \u201eLa \u00eenceput, am crezut c\u0103 e o pisic\u0103 \u0219i, cu \u00eend\u0103r\u0103tnicia unui vechi obicei, f\u0103ceam trei pa\u0219i \u00eenapoi \u0219i scuipam \u00een s\u00e2n, apoi m\u0103 \u00eenchinam pe furi\u0219, tot de trei ori, f\u0103c\u00e2nd la repezeal\u0103 c\u00e2te-o cruce mic\u0103. Ptiu, potaia dracului!\u201d; confuzia \u0219i umorul coexist\u0103 \u00eentr-o form\u0103 constant\u0103, iar \u0219ui\u021ba devine un simbol al unui mister care scap\u0103 de sub control.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen acela\u0219i timp, atmosfera general\u0103 a romanului aminte\u0219te de cea prezent\u0103 \u00een nuvela psihologic\u0103&nbsp;<em>Pisica neagr\u0103<\/em>&nbsp;de Edgar Allan Poe, \u00eentruc\u00e2t Ana, personajul \u00een care se dedubleaz\u0103 autoarea, atribuie acestui animal fatidic, \u00eent\u00e2lnit frecvent, un rol malefic \u00een desf\u0103\u0219urarea evenimentelor zilnice. Spre deosebire de mezinul craiului, care nu are cui s\u0103-i cear\u0103 sfatul \u0219i i s-ar putea tolera imoralitatea (\u201efiind naiv la trebi de aistea\u201d \u2013 \u00eel salveaz\u0103 prin aceast\u0103 constatare \u0219i povestitorul), Ana caut\u0103 clarific\u0103ri de la colegul ei de la catedra de biologie, Paul. Totu\u0219i, calmul acestuia nu aduce claritate sau lini\u0219te, ci, dimpotriv\u0103, alimenteaz\u0103 \u0219i mai mult dorin\u021ba protagonistei de a dezlega taina acestei viziuni, pe care o interpreteaz\u0103 \u00eentr-o manier\u0103 aproape naiv\u0103: \u201ePaule, un semn din cer. Un semn divin!\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen&nbsp;<strong><em>Povestea lui Harap-Alb<\/em><\/strong>, procesul de maturizare al protagonistului devine evident prin interac\u021biunea cu cele cinci personaje fantastice (Geril\u0103, Setil\u0103, Fl\u0103m\u00e2nzil\u0103, P\u0103s\u0103ri-L\u0103\u021bi-Lungil\u0103 \u0219i Ochil\u0103). Aceste personaje nu sunt doar figuri mitologice sau tovar\u0103\u0219i de drum, ci reprezint\u0103 provoc\u0103ri \u0219i calit\u0103\u021bi umane esen\u021biale, pe care Harap-Alb trebuie s\u0103 le \u00een\u021beleag\u0103 \u0219i s\u0103 le integreze \u00een propria-i formare. Fiecare dintre ele simbolizeaz\u0103 o for\u021b\u0103 sau o extremitate a naturii umane \u2014 controlul emo\u021biilor, gestionarea resurselor, st\u0103p\u00e2nirea foamei de putere \u0219i cunoa\u0219tere sau capacitatea de a vedea \u0219i de a \u00een\u021belege lumea \u00een profunzime. Harap-Alb \u00eencepe s\u0103 intuiasc\u0103 faptul c\u0103 acestea sunt manifest\u0103ri ale calit\u0103\u021bilor de lider \u0219i ale maturit\u0103\u021bii pe care trebuie s\u0103 le dob\u00e2ndeasc\u0103 pentru a-\u0219i \u00eendeplini destinul, prevestit de Sf\u00e2nta Vineri: \u201eFiu de crai, vede-te-a\u0219 \u00eemp\u0103rat!\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen romanul&nbsp;<strong><em>\u0218ui\u021ba<\/em><\/strong><strong><em>,<\/em><\/strong> Ana urmeaz\u0103 un parcurs similar, \u00eens\u0103 \u00eentr-un context modern \u0219i psihologic, marcat de situa\u021bii insolite \u0219i de confruntarea cu misterul \u0219i necunoscutul. \u00cen locul ajutorului oferit de personaje fantastice, precum cele din basmul lui Creang\u0103, Ana caut\u0103 sprijinul unei figuri mistice,&nbsp;<strong>Sitela Valmunis<\/strong>, o femeie cu puteri paranormale. Aceasta joac\u0103 un rol esen\u021bial \u00een interpretarea experien\u021belor bizare pe care protagonista le tr\u0103ie\u0219te, oferindu-i o cale c\u0103tre autocunoa\u0219tere.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A\u0219a cum Harap-Alb trebuie s\u0103 colaboreze cu companionii s\u0103i neobi\u0219nui\u021bi pentru a dep\u0103\u0219i provoc\u0103rile \u0219i a \u00een\u021belege lumea din jur, protagonista din\u00a0<strong><em>\u0218ui\u021ba<\/em><\/strong>\u00a0se va l\u0103muri asupra a ceea ce o preocup\u0103, datorit\u0103 lui Sitela Valmunis (remarca\u021bi asem\u0103narea sonorit\u0103\u021bii cuvintelor \u0219ui\u021ba \/ Sitela), care \u00eei devine ghid \u00een procesul de descifrare a realit\u0103\u021bii, ajut\u00e2nd-o s\u0103 treac\u0103 dincolo de ceea ce pare a fi suprarealist \u0219i s\u0103 \u00een\u021beleag\u0103 leg\u0103tura dintre evenimentele insolite \u0219i propria evolu\u021bie interioar\u0103. \u00cen aceast\u0103 structur\u0103 complex\u0103, romanul aduce \u00eempreun\u0103 elemente de fantastic \u0219i de realism psihologic, \u00eembinate cu umor, cre\u00e2nd un thriller \u00een care spa\u021biul dintre ra\u021bional \u0219i ira\u021bional devine un loc de explorare a obsesiilor \u0219i fricilor intime ale personajelor.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen romanul&nbsp;\u0218ui\u021ba (Editura Scrisul Rom\u00e2nesc, Craiova, 2024), thriller semnat de Ana M. Aria, scriitoarea sub pseudonim, construie\u0219te o intrig\u0103 axat\u0103 pe o obsesie singular\u0103: apari\u021bia constant\u0103 a unui mamifer enigmatic, descris de autoare drept \u201eun ghemotoc ro\u0219cat, bl\u0103nos\u201d, a c\u0103rui caracteristic\u0103 principal\u0103 este agerimea, manifestat\u0103 prin vigilen\u021b\u0103 \u0219i vitez\u0103. Romanul, structurat \u00een unsprezece capitole \u0219i &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2024\/10\/04\/suita-de-ana-m-aria-cronica-de-carte-in-lucru\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">\u0218ui\u021ba de Ana M. Aria (Cronic\u0103 de carte \u00een lucru)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11284","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/11284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=11284"}],"version-history":[{"count":4,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/11284\/revisions"}],"predecessor-version":[{"id":11289,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/11284\/revisions\/11289"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=11284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=11284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=11284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}