{"id":12393,"date":"2025-06-25T13:24:05","date_gmt":"2025-06-25T13:24:05","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=12393"},"modified":"2025-06-25T13:24:05","modified_gmt":"2025-06-25T13:24:05","slug":"cronica-de-carte-in-lucru-22","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2025\/06\/25\/cronica-de-carte-in-lucru-22\/","title":{"rendered":"Cronic\u0103 de carte \u00een lucru&#8230;"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u00cen arhitectura vast\u0103 a acestui studiu se disting dou\u0103 ansambluri majore, distincte prin \u00eentinderea temporal\u0103 \u0219i densitatea ideatic\u0103: mai \u00eent\u00e2i, o panoram\u0103 ampl\u0103 intitulat\u0103 <em>Dou\u0103 milenii de g\u00e2ndire despre frumos \u0219i teatru<\/em>, ce urm\u0103re\u0219te desf\u0103\u0219urarea reflec\u021biei estetice de la germin\u0103rile mitologic-poetice ale lui Hesiod, p\u00e2n\u0103 la rigorile fondatoare ale lui Baumgarten; apoi, o a doua sec\u021biune, <em>Trei secole de g\u00e2ndire despre estetica Teatrului<\/em>, \u00een care se decanteaz\u0103 \u0219i se ordoneaz\u0103 critic traiectoria ideilor de la sistemul critic al lui Kant, p\u00e2n\u0103 la antropologia teatral\u0103 propus\u0103 de Eugenio Barba. Astfel, drumul prin istoria reflec\u021biei estetice e ref\u0103cut cu stricte\u021be, \u00eentr-o sintez\u0103 care pune \u00een lumin\u0103 continuit\u0103\u021bile \u0219i frondele unei g\u00e2ndiri care a oscilat \u00eentre metafizic\u0103 \u0219i scen\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prezen\u021ba termenilor \u201efrumos\u201d \u0219i \u201eestetic\u0103\u201d \u00eenc\u0103 din titlu angajeaz\u0103 autorul \u00eentr-o reflec\u021bie de ordin filosofic, c\u0103ci ace\u0219ti termeni, purt\u0103tori ai unei tradi\u021bii conceptuale \u00eendelungate, se cer elucida\u021bi \u00een lumina sistemelor de g\u00e2ndire care i-au articulat \u2013 de la atomismul antic la stoicism \u0219i sintezele elenistice \u2013, f\u0103r\u0103 a ocoli, desigur, nodul teoretic major pe care \u00eel constituie analizele consacrate de Platon \u0219i Aristotel, ale c\u0103ror concep\u021bii, de\u0219i divergente, au modelat decisiv c\u00e2mpul specula\u021biei estetice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Expunerea diacronic\u0103 a conceptelor estetice este articulat\u0103 riguros printr-un capitol central, consacrat unei examin\u0103ri comparative a modului \u00een care Schopenhauer \u0219i Nietzsche, fiecare din unghiul propriei viziuni metafizice \u0219i existen\u021biale, au problematizat frumosul \u0219i arta, contribuind astfel, \u00een registre distincte, la reconfigurarea g\u00e2ndirii estetice moderne: Aristotel va \u00eencerca s\u0103 abiliteze poezia ca mimesis; Schopenhauer face o demarca\u021bie strict\u0103 \u00eentre lumea fenomenal\u0103 \u0219i cea noumenal\u0103, iar Nietzsche prive\u0219te arta ca pe o \u00eenflorire a vie\u021bii, ca pe o \u201eevadare din realitate. Printr-un act de transcendere, artistul dob\u00e2nde\u0219te viziunea frumosului din realitatea brut\u0103. Existen\u021ba nu va fi suportat\u0103 dec\u00e2t ca fenomen estetic &#8211; avem arta spre a putea s\u0103 evit\u0103m pieirea prin adev\u0103r\u201d (<em>Evolu\u021bia ideii pe traseul: Aristotel &#8211; Schopenhauer \u2013 Nietzsche<\/em>).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen arhitectura vast\u0103 a acestui studiu se disting dou\u0103 ansambluri majore, distincte prin \u00eentinderea temporal\u0103 \u0219i densitatea ideatic\u0103: mai \u00eent\u00e2i, o panoram\u0103 ampl\u0103 intitulat\u0103 Dou\u0103 milenii de g\u00e2ndire despre frumos \u0219i teatru, ce urm\u0103re\u0219te desf\u0103\u0219urarea reflec\u021biei estetice de la germin\u0103rile mitologic-poetice ale lui Hesiod, p\u00e2n\u0103 la rigorile fondatoare ale lui Baumgarten; apoi, o a doua &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2025\/06\/25\/cronica-de-carte-in-lucru-22\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">Cronic\u0103 de carte \u00een lucru&#8230;<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12393","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/12393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=12393"}],"version-history":[{"count":1,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/12393\/revisions"}],"predecessor-version":[{"id":12394,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/12393\/revisions\/12394"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=12393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=12393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=12393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}