{"id":12672,"date":"2025-09-09T05:39:54","date_gmt":"2025-09-09T05:39:54","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=12672"},"modified":"2025-09-09T05:39:54","modified_gmt":"2025-09-09T05:39:54","slug":"cronica-de-carte-in-lucru-23","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2025\/09\/09\/cronica-de-carte-in-lucru-23\/","title":{"rendered":"Cronic\u0103 de carte (\u00een lucru)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Corneliu Dumitriu ne ofer\u0103 prin <em>Teatrul lui Shakespeare<\/em> (Editura Didactic\u0103 \u0219i Pedagogic\u0103, Bucure\u0219ti, 2021) o ampl\u0103 sintez\u0103 consacrat\u0103 operei dramatice a bardului din Avon. Construc\u021bia volumului urmeaz\u0103 liniile mari ale crea\u021biei shakespeariene: <em>Tragediile<\/em>, <em>Comediile<\/em>, <em>Piesele istorice<\/em>, la care se adaug\u0103 o sec\u021biune aparte, <em>Trei studii de caz<\/em>, precum \u0219i un <em>Dic\u021bionar al personajelor<\/em>. Aceast\u0103 arhitectur\u0103 propune o lectur\u0103 ierarhic\u0103 \u0219i ordonat\u0103, apt\u0103 s\u0103 \u00eenlesneasc\u0103 p\u0103trunderea \u00een miezul unei opere \u00een care for\u021ba imaginativ\u0103 \u0219i tensiunea dramatic\u0103 se conjug\u0103 \u00eentr-o unitate vie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen cele cinci acte, <em>Titus Andronicus<\/em> se \u00eenf\u0103\u021bi\u0219eaz\u0103 ca o anatomie a destinelor. Personajele pornesc dintr-un spa\u021biu al onoarei, dar fiecare pas al lor, sub presiunea cruzimii \u0219i a r\u0103zbun\u0103rii, le abate c\u0103tre faptele cele mai sumbre, \u00eentr-o cobor\u00e2re inexorabil\u0103 spre imoralitate: \u201eAceast\u0103 lume odioas\u0103 care se na\u0219te sub ochii no\u0219tri este ucis\u0103 \u00een final, \u00eentr-un veritabil m\u0103cel, c\u00e2nd prin s\u00e2nge \u0219i moarte se purific\u0103 adulterul, violul, cruzimea, nesupunerea sau viclenia. \u00cen \u00eencheiere, se profileaz\u0103 aerul unei lumi noi, sc\u0103pat\u0103 de flagelul faptelor imorale. Roma parc\u0103 rena\u0219te, a\u0219ez\u00e2nd \u00een fruntea ei un personaj virtuos, \u00eengrop\u00e2nd un trecut \u00eentunecat de crime \u0219i m\u00e2r\u0219\u0103vii\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Romeo \u0219i Julieta<\/em>, reprezentat\u0103 \u00eentre anii 1594\u20131595 \u0219i tip\u0103rit\u0103 \u00een 1597, se las\u0103 descifrat\u0103 sub trei unghiuri de vedere: reveria iubirii, geografia ideii \u0219i esen\u021ba tragic\u0103. Aceea\u0219i metod\u0103 de analiz\u0103 este aplicat\u0103 \u0219i asupra lui <em>Hamlet<\/em>, unde \u00eens\u0103 se adaug\u0103 alt\u0103 dimensiune, proprie acestei capodopere: dilema \u0219i suferin\u021ba, care fac din drama prin\u021bului danez o medita\u021bie asupra destinului con\u0219tiin\u021bei umane.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Corneliu Dumitriu ne ofer\u0103 prin Teatrul lui Shakespeare (Editura Didactic\u0103 \u0219i Pedagogic\u0103, Bucure\u0219ti, 2021) o ampl\u0103 sintez\u0103 consacrat\u0103 operei dramatice a bardului din Avon. Construc\u021bia volumului urmeaz\u0103 liniile mari ale crea\u021biei shakespeariene: Tragediile, Comediile, Piesele istorice, la care se adaug\u0103 o sec\u021biune aparte, Trei studii de caz, precum \u0219i un Dic\u021bionar al personajelor. Aceast\u0103 arhitectur\u0103 &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2025\/09\/09\/cronica-de-carte-in-lucru-23\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">Cronic\u0103 de carte (\u00een lucru)<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12672","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/12672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=12672"}],"version-history":[{"count":1,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/12672\/revisions"}],"predecessor-version":[{"id":12673,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/12672\/revisions\/12673"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=12672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=12672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=12672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}