{"id":4342,"date":"2021-10-09T17:02:17","date_gmt":"2021-10-09T17:02:17","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=4342"},"modified":"2021-10-09T17:02:36","modified_gmt":"2021-10-09T17:02:36","slug":"dan-ionescu-carta-a-tetis-poems-in-spanish","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2021\/10\/09\/dan-ionescu-carta-a-tetis-poems-in-spanish\/","title":{"rendered":"Dan Ionescu, Carta a Tetis, Poems in Spanish"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Dan Ionescu, the author of the book published in Spanish, Carta a Tetis (Editorial \u00c9ride Ediciones, Madrid, 2020, due to the excellent Spanish translation by Francisco Javier Bran Garcia and Dana Oprica), is a member of the 2000 Generation of Romanian poets who use reality as a source of inspiration for their poetry. At the same time, they are sentimentally impacted by this issue. Thus, their poetry would lose a significant part of its meaning if analysed only from<br>a structuralist point of view. If literary critics overlook the sentimental load of these poets\u2019 words, of their syntax, of their obstinacy to provide a genuine image of the human being and the world s\/he lives in, they might provide a wrong interpretation. For this reason, Geo Constantinescu, the author of this article, performs a classic, impressionist analysis, so as to better decode the shades of the poet\u2019s experiences, his subtle psychology and the emotions in the contact with reality that are inspired by each moment of his creation.<br>Key words: condition of poetry; Romanian spirituality; rural life; the city;<br>nature; memories; the paradise of childhood.<br>El octavo volumen de versos de Dan Ionescu, Carta a Tetis, apareci\u00f3<br>en febrero de 2020, en Madrid, Editorial \u00c9ride Ediciones, gracias a la excelente traducci\u00f3n al espa\u00f1ol hecha por Francisco Javier Bran Garc\u00eda y<br>Dana Oprica. Poeta, prosista, cr\u00edtico literario y periodista rumano, Dan Ionescu (nacido en 1970, en B\u0103l\u0103ci\u021ba, distrito de Mehedin\u021bi) debut\u00f3 en lengua rumana, en 1995, con el volumen Biblioteca \u00eentr-o alocu\u021biune (Biblioteca en una alocuci\u00f3n, Editorial Avr\u0103measa), en que planteaba el problema de la condici\u00f3n del poeta y la poes\u00eda en la sequ\u00eda espiritual del momento en su  pa\u00eds, cuando los rumanos estaban reducidos a la mera condici\u00f3n de sobrevivientes en una sociedad trastornada por un capitalismo salvaje, despu\u00e9s del derrumbamiento de la utop\u00eda comunista.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Va urma)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sursa: <a href=\"https:\/\/analefilologie.uvt.ro\/wp-content\/uploads\/2014\/07\/Geo-Constantinescu_Anale-Litere-2020.pdf\">https:\/\/analefilologie.uvt.ro\/wp-content\/uploads\/2014\/07\/Geo-Constantinescu_Anale-Litere-2020.pdf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dan Ionescu, the author of the book published in Spanish, Carta a Tetis (Editorial \u00c9ride Ediciones, Madrid, 2020, due to the excellent Spanish translation by Francisco Javier Bran Garcia and Dana Oprica), is a member of the 2000 Generation of Romanian poets who use reality as a source of inspiration for their poetry. At the &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2021\/10\/09\/dan-ionescu-carta-a-tetis-poems-in-spanish\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">Dan Ionescu, Carta a Tetis, Poems in Spanish<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4342","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/4342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=4342"}],"version-history":[{"count":3,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/4342\/revisions"}],"predecessor-version":[{"id":4345,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/4342\/revisions\/4345"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=4342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=4342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=4342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}