{"id":4675,"date":"2022-01-15T11:37:33","date_gmt":"2022-01-15T11:37:33","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=4675"},"modified":"2022-01-15T11:39:06","modified_gmt":"2022-01-15T11:39:06","slug":"despre-injustitie","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2022\/01\/15\/despre-injustitie\/","title":{"rendered":"Despre injusti\u021bie. Cronic\u0103 de carte"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u00cen volumul de liric\u0103, intitulat <em>R\u0103m\u0103\u0219agul fariseilor<\/em> (Ed. Contrafort, Craiova, 2021, <em>Prefa\u021b\u0103<\/em> de Petre Ciobanu), Octavian Manafu \u00ee\u0219i fixeaz\u0103 ca punct de plecare noima atribuit\u0103 cuv\u00e2ntului \u201efariseu\u201d, spre a ajunge la o acribie a perioadei de tranzi\u021bie pe care o tr\u0103im, c\u00e2nd \u201etotul pare spre p\u00e2rg \u0219i totul spre ruin\u0103\u201d. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fariseii, care f\u0103ceau parte dintr-o grupare politico-religioas\u0103, au pus r\u0103m\u0103\u0219ag, \u00een viziunea liric\u0103 de fa\u021b\u0103, c\u0103 manierele lor de a domina \u0219i influen\u021ba lumea vor supravie\u021bui epocilor. P\u00e2n\u0103 la constituirea lor \u00eentr-un grup de autoritate, orice popor cuno\u0219tea o dezvoltare fireasc\u0103, vizibil\u0103 \u00een modul patriarhal de existen\u021b\u0103: \u201eB\u0103tr\u00e2nele pe furc\u0103 termin\u00e2ndu-\u0219i inul, \/ Marea-\u0219i aduce la \u021b\u0103rm to\u021bi \u00eeneca\u021bii\u201d (<em>Totul pare spre p\u00e2rg \u0219i totul spre ruin\u0103<\/em>). Vechiul fariseism, caracterizat de importan\u021ba exagerat\u0103 acordat\u0103 formelor exterioare ale cultului, manifest\u0103rii \u00een sine a diverselor s\u0103rb\u0103tori religioase, a schimbat res publica, astfel \u00eenc\u00e2t poetul exclam\u0103: \u201eTo\u021bi mergeau \u00eenainte, numai acum ca racii\u201d. Constatarea aceasta \u00eel determin\u0103 pe autor s\u0103 militeze pentru normalitate, d\u00e2nd fr\u00e2u liber spiritului s\u0103u justi\u021biar: \u201eDe Sfintele Pa\u0219ti, se taie \u00een pia\u021b\u0103 \/ Chiar capra Amaltheia cu iezii \/ Precum ar fi vrut s\u0103 se uite \/ C\u0103 la ugerul ei a supt o vreme chiar Zeus, \/ Nesc\u0103p\u00e2nd nici mieii, nici oile b\u0103tr\u00e2ne, \/ \u00cenc\u00e2t r\u0103m\u0103seser\u0103 toate p\u0103\u0219unile s\u00e2ngerii\u201d (<em>Moartea era suit\u0103 chiar la noi pe cas\u0103<\/em>). Cu propensiunea de a apropia fapte \u0219i \u00eent\u00e2mpl\u0103ri din epoci diferite, poetul face un salt \u00een actualitatea trist\u0103, proxim\u0103 vechilor apuc\u0103turi fariseice: \u201eMoartea b\u0103tea din poart\u0103 \u00een poart\u0103, \/ Confund\u00e2nd Cr\u0103ciunul cu Pa\u0219tele \/ \u0218i hot\u0103r\u00e2t\u0103 ca niciun prunc s\u0103 nu-i scape\u201d. De furia fariseilor antici, nu avea cum s\u0103 scape nici boul Apis: \u201e\u00cen abator, muge\u0219te din zori \/ Boul Apis, \/ Mai are ceva de a\u0219teptat, \/ Contabilii fiind propti\u021bi \u00een creioane: C\u00e2t face carnea-i? \/ C\u00e2t face pielea-i? \/ Din oase c\u00e2t o s\u0103 ias\u0103?\u201d (<em>Cu a\u0219a economie r\u00e2nced\u0103 de pia\u021b\u0103<\/em>). R\u0103spunsul pe care-l d\u0103 \u00eens\u0103\u0219i Divinitatea, care, de sus, le surprinde pe toate, atest\u0103 indignarea fa\u021b\u0103 de spiritul mercantil care define\u0219te societatea: \u201eCu a\u0219a economie, \/ Chiar cele sfinte se m\u0103soar\u0103 \u00een bani, \/ Un \u00eenger dac\u0103 le-ar c\u0103dea \u00een m\u00e2n\u0103, \/ L-ar face s\u0103pun sau l-ar vinde pe cochilii de scoici \/ Unor \u00eendep\u0103rta\u021bi canibali\u201d. Urm\u00e2nd a\u0219a-zisul fir al istoriei, chiar Divinitatea este m\u00e2hnit\u0103 c\u0103 lucrarea, universul antropocentric, nu i-a ie\u0219it cum trebuie, uneori \u201emul\u021bumindu-se s\u0103 asculte \/ Doar muzici intergalactice, \/ Iar c\u00e2nd observ\u0103 c\u0103 \u0219i acestea se repet\u0103, \/ Pune m\u00e2na pe penel \u0219i pe spatele norilor \/ Schi\u021beaz\u0103 pasteluri \u00een maniera impresionist\u0103 a lui Claude Monet\u201d (<em>Licita\u021bia care \u00eenc\u0103 nu a avut loc<\/em>). \u00cengerii s-au \u00eendep\u0103rtat de muritori, astfel \u00eenc\u00e2t \u201eR\u0103m\u00e2nem saci \u00eenfometa\u021bi, de\u0219ira\u021bi de nevoi\u201d (<em>Cui s\u0103 te pl\u00e2ngi?<\/em>). \u00cen aceast\u0103 umilitoare perioad\u0103 a tranzi\u021biei, poetul, socotindu-se un damnat, nu poate dec\u00e2t s\u0103 se alinieze oropsi\u021bilor sor\u021bii \u0219i, \u00een numele lor, s\u0103 cear\u0103 un sfat, fie Creatorului, fie preo\u021bilor: \u201eC\u00e2nd istoria este o capcan\u0103, \/ C\u00e2nd \u00eensumi nu-mi dau de cap\u0103t, \/ Nu \u0219tiu pe unde intru, nu \u0219tiu pe unde ies, \/ Voi, Preo\u021bi, \/ Ave\u021bi vreun sfat s\u0103-mi da\u021bi?\u201d (<em>Ave\u021bi un sfat s\u0103-mi da\u021bi?<\/em>).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen concluzie, cu acest volum, surprinz\u0103tor prin tipul de conota\u021bii \u0219i de aluzii, Octavian Manafu dovede\u0219te curaj \u0219i sinceritate \u00een \u00eencercarea de a p\u0103trunde dedesubturile lumii \u00een care tr\u0103im.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen volumul de liric\u0103, intitulat R\u0103m\u0103\u0219agul fariseilor (Ed. Contrafort, Craiova, 2021, Prefa\u021b\u0103 de Petre Ciobanu), Octavian Manafu \u00ee\u0219i fixeaz\u0103 ca punct de plecare noima atribuit\u0103 cuv\u00e2ntului \u201efariseu\u201d, spre a ajunge la o acribie a perioadei de tranzi\u021bie pe care o tr\u0103im, c\u00e2nd \u201etotul pare spre p\u00e2rg \u0219i totul spre ruin\u0103\u201d. &nbsp; Fariseii, care f\u0103ceau parte &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2022\/01\/15\/despre-injustitie\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">Despre injusti\u021bie. Cronic\u0103 de carte<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4675","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/4675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=4675"}],"version-history":[{"count":2,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/4675\/revisions"}],"predecessor-version":[{"id":4677,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/4675\/revisions\/4677"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=4675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=4675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=4675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}