{"id":4751,"date":"2022-01-24T10:39:00","date_gmt":"2022-01-24T10:39:00","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=4751"},"modified":"2022-01-24T10:39:00","modified_gmt":"2022-01-24T10:39:00","slug":"ora-h-a-sosit-cronica-de-carte","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2022\/01\/24\/ora-h-a-sosit-cronica-de-carte\/","title":{"rendered":"Ora H a sosit! Cronic\u0103 de carte"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/www.esteto.ro\/static\/images\/produse\/563701\/ora-h-alexandru-cazacu-editura-neuma-1.jpg\" alt=\"Ora H - Alexandru Cazacu, editura Neuma - Esteto.ro\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Cu o prezentare semnat\u0103 de Horia G\u00e2rbea, volumul de liric\u0103 <em>Ora H<\/em> (Editura Neuma, 2021) de Alexandru Cazacu poart\u0103 un titlu misterios, care aminte\u0219te de romanul <em>Ora 25<\/em>, scris de Constantin Virgil Gheorghiu. <em>Ora H<\/em>, cea dup\u0103 al c\u0103rei r\u0103gaz t\u00e2nje\u0219te poetul, saturat de compania amicilor care-i seam\u0103n\u0103 at\u00e2t de mult, \u00eenc\u00e2t senza\u021bia de a se revedea pe sine ca \u00een mai multe oglinzi, \u00eel obose\u0219te, supun\u00e2ndu-l monotoniei, este definit\u0103 \u00een termeni fire\u0219ti: \u201eOra \u00een care vrei s\u0103 r\u0103m\u00e2i singur \/ pentru c\u0103 \u00ee\u021bi este fric\u0103 \/ de acei care \u021bi se aseam\u0103n\u0103\u201d (<em>Iat\u0103 orele<\/em>). Angoasa fa\u021b\u0103 de truismele existen\u021biale, redescoperite \u00een solitudine, este surprins\u0103 \u00een urm\u0103toarea secven\u021b\u0103 liric\u0103, distinctiv vizual\u0103 \u0219i ata\u0219abil\u0103 unei celebre pelicule de film american: \u201etot ce a fost se sf\u00e2\u0219ie \/ precum c\u0103ma\u0219a unei sperietori \u00een lanul de ov\u0103z\u201d. \u00cen intimitate, visurile se redimensioneaz\u0103, dup\u0103 calapodul realit\u0103\u021bii, de\u0219i viziunea de a dezvolta premisa \u201econtrolului asupra termocentralei \/ dintre blocurile cu zece etaje\u201d (<em>Visul nostru<\/em>) este caracterizat\u0103 de o anume inocen\u021b\u0103 a exhaustivit\u0103\u021bii: \u201es\u0103 plant\u0103m o mic\u0103 p\u0103durice de l\u0103m\u00e2i pe teras\u0103 \/ s\u0103 salv\u0103m eroii \u00eencovriga\u021bi de frig\u201d. Propor\u021bia maximal\u0103 a viziunii, fapt de influen\u021b\u0103 suprarealist\u0103, se men\u021bine \u00een continuare. Astfel, \u00eentreb\u0103rile unui om \u201e\u00een toat\u0103 puterea cuv\u00e2ntului\u201d, care se auzeau \u00een ora\u0219, \u00eempreun\u0103 cu melodiile de la gramofoane, devin parte a mediului, \u00eentruc\u00e2t \u201er\u0103spunsul \u00eent\u00e2rziat \/ se arunca \u00een fa\u021ba iernii \/ ca o contes\u0103 \u00eenaintea acceleratului\u201d. \u00cen mod curent, ecoul ar fi fost o consecin\u021b\u0103 a interoga\u021biilor, adresate, este de b\u0103nuit, unui interlocutor de aceea\u0219i forma\u021bie cultural\u0103, dar importan\u021ba, pe care eul liric \u0219i-o acord\u0103 sie\u0219i, impresioneaz\u0103 \u00eentreaga natur\u0103, care-i preia anxietatea \u0219i-i ofer\u0103 o replic\u0103 material\u0103, \u00een stare s\u0103 dea peste cap un anotimp (precum iarna) \u0219i s\u0103-l abat\u0103 de la instalare. Alt mijloc inedit de opunere la venirea iernii este lini\u0219tea, stare pe care o inspir\u0103 ziua de duminic\u0103, prilej de a investiga panoplia unei urbe situate \u00een vecin\u0103tatea m\u0103rii: \u201eO baricad\u0103 \u00eenaintea iernii aceast\u0103 duminic\u0103 \/ \u00een ora\u0219ul preg\u0103tit s\u0103 \u00eenvecheasc\u0103 \/ cu frumuse\u021bea decadent\u0103 a str\u0103zilor sablate \/ de o lini\u0219te friguroas\u0103 \/ l\u00e2ng\u0103 v\u00e2rtejul ultimelor frunze \/ din fa\u021ba plajei unde nu mai vine nimeni \/ unde securea r\u0103zboiului dintre tine \u0219i tine a ruginit \/ sub \u021bip\u0103tul unui pesc\u0103ru\u0219 fl\u0103m\u00e2nd\u201d (<em>Sf\u00e2r\u0219it de sezon<\/em>). De asemenea, \u00een poemul, intitulat <em>Septembrie<\/em>, pe lama unor cu\u021bite de buc\u0103t\u0103rie, alunec\u0103 toat\u0103 lini\u0219tea din lume, \u00een timp ce \u201eanotimpul \u00ee\u0219i danseaz\u0103 frunzele \/ pe marginea pr\u0103pastiei\u201d \u2013 \u00een alt\u0103 parte, se deduce, nu se mai g\u0103sesc frunze, dec\u00e2t \u00een col\u021bul previzionat de poet, dar nici silen\u021biozitate, fiindc\u0103 a fost acumulat\u0103 de str\u0103lucirea o\u021belului, a pumnalelor de spart ghea\u021ba (produs\u0103 \u00een frigider). Alternan\u021ba tipului de perspectiv\u0103, c\u00e2nd restr\u00e2ns, c\u00e2nd amplu, devine manier\u0103 recognoscibil\u0103 a volumului de fa\u021b\u0103: \u201eSeara se inund\u0103 de ro\u0219ul at\u00e2rnat \/ \u00een c\u00e2rligul m\u0103cel\u0103riei\u201d. Ca \u00een romanul <em>Baltagul<\/em>, c\u00e2nd via\u021ba pare a se defini prin singur\u0103tate \u0219i lini\u0219te, apar, te miri de unde, nunta\u0219ii, a c\u0103ror menire este s\u0103 \u00eenveseleasc\u0103 locul: \u201eCa un fel de r\u0103spuns veselia acelui \u0219ir de nunta\u0219i \/ r\u0103scolind ordinea duminicii adormite \/ \u00een propria sa istorie\u201d (<em>Problema oriental\u0103<\/em>). Din acest moment al predominan\u021bei elementului sonor, poetul devine mai atent la manifestarea universului m\u0103runt, c\u0103ruia i s-au dedicat, \u00eentre al\u021bii, Tudor Arghezi \u0219i Emil Brumaru: \u201eP\u0103ianjenii str\u00e2ng \u00een plasa lor fin\u0103 \/ pic\u0103turile ploii \u021b\u00e2r\u00e2itoare\u201d, \u201eFluturi alba\u0219tri ni se topesc \u00een vene\u201d (<em>O simpl\u0103 zi de Aprilie<\/em>), \u201efurnicile au str\u00e2ns ultimele firimituri ale spa\u021biului balcanic\u201d (<em>S\u0103 mai treci<\/em>) sau \u201ero\u0219ea\u021ba soarelui \/ s-a topit \u00een sm\u00e2rcuri \u0219i livezi \/ \u0219i peste merele coapte\u201d (<em>Poate c\u00e2ndva<\/em>). Cu acest volum, a c\u0103rui tem\u0103 principal\u0103 este destinul omului \u00een lume, Alexandru Cazacu face dovada voca\u021biei de a fi modern prin stil \u0219i problemele dezb\u0103tute.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cu o prezentare semnat\u0103 de Horia G\u00e2rbea, volumul de liric\u0103 Ora H (Editura Neuma, 2021) de Alexandru Cazacu poart\u0103 un titlu misterios, care aminte\u0219te de romanul Ora 25, scris de Constantin Virgil Gheorghiu. Ora H, cea dup\u0103 al c\u0103rei r\u0103gaz t\u00e2nje\u0219te poetul, saturat de compania amicilor care-i seam\u0103n\u0103 at\u00e2t de mult, \u00eenc\u00e2t senza\u021bia de a &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2022\/01\/24\/ora-h-a-sosit-cronica-de-carte\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">Ora H a sosit! Cronic\u0103 de carte<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4751","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/4751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=4751"}],"version-history":[{"count":1,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/4751\/revisions"}],"predecessor-version":[{"id":4752,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/4751\/revisions\/4752"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=4751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=4751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=4751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}