{"id":5941,"date":"2022-05-17T05:50:29","date_gmt":"2022-05-17T05:50:29","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=5941"},"modified":"2022-05-17T05:50:29","modified_gmt":"2022-05-17T05:50:29","slug":"modernismul-ion-barbu-riga-crypto-si-lapona-enigel","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2022\/05\/17\/modernismul-ion-barbu-riga-crypto-si-lapona-enigel\/","title":{"rendered":"Modernismul. Ion Barbu: \u201eRiga Crypto \u0219i lapona Enigel\u201d"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Modernismul. Ion Barbu: \u201eRiga Crypto \u0219i lapona Enigel\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Modernismul<\/strong> este o orientare literar\u0103 ini\u021biat\u0103 \u00een literatura rom\u00e2n\u0103 de Eugen Lovinescu, a c\u0103rui doctrin\u0103 porne\u0219te de la ideea c\u0103 exist\u0103 \u201eun spirit al veacului\u201d care impune procesul de sincronizare a literaturii rom\u00e2ne cu literatura european\u0103. \u00cen genul liric, principala inova\u021bie pe care modernismul o aduce la nivelul con\u021binutului este poezia de idei.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ion Barbu, pe numele s\u0103u adev\u0103rat Dan Barbilian, a fost poet \u0219i matematician. \u00centr-un studiu din 1935 \u0219i reeditat \u00een 1970, <strong>Tudor Vianu<\/strong> propunea trei etape \u00een evolu\u021bia poeziei lui Ion Barbu: parnasian\u0103, baladico-oriental\u0103 \u015fi ermetic\u0103, \u00eemp\u0103r\u021bire care a devenit clasic\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Apar\u021bin\u00e2nd etapei balade\u0219ti, poemul \u201eRiga Crypto \u0219i lapona Enigel\u201d a fost inclus \u00een volumul \u201eJoc secund\u201d din 1930. <strong>Titlul<\/strong> este un element paratextual care face trimitere la membrii unui cuplu de \u00eendr\u0103gosti\u021bi. Numele celor dou\u0103 personaje desemneaz\u0103 dou\u0103 fiin\u021be antagonice: lapona Enigel este o fiin\u021b\u0103 uman\u0103, locuitoare la poli, plecat\u0103 \u00een c\u0103utarea cunoa\u0219terii, iar riga Crypto este o ciuperc\u0103 tinz\u00e2nd la ceva mai presus de propria condi\u021bie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Tema este iubirea imposibil\u0103<\/strong>. Poemul, care este o ars poetica, \u00eentruc\u00e2t autorul exprim\u0103 propriul crez liric \u0219i viziunea sa asupra lumii, prezint\u0103 o \u00eembinare inedit\u0103 a <strong>elementelor<\/strong> <strong>lirice<\/strong>, <strong>epice<\/strong> \u0219i <strong>dramatice<\/strong>. Epicul se confirm\u0103 prin specia literar\u0103, balada, prin tehnica narativ\u0103, prin prezen\u021ba firului narativ \u0219i a personajelor. Acestea din urm\u0103 pot fi interpretate ca voci lirice ale aceleia\u0219i con\u0219tiin\u021be, ca \u00een poemul eminescian \u201eLuceaf\u0103rul\u201d. Dialogul confer\u0103 textului caracter dramatic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Balada modern\u0103 \u201eRiga Crytpo \u0219i lapona Enigel\u201d a fost supranumit\u0103 <strong>un \u201eLuceaf\u0103r \u00eentors\u201d<\/strong>: eviden\u021biaz\u0103 incompatibilitatea dintre dou\u0103 lumi care \u00eencearc\u0103 s\u0103 comunice \u0219i s\u0103 se \u00eemplineasc\u0103, la fel ca \u00een poemul eminescian; diferen\u021ba este c\u0103, \u00een cazul poemului semnat de Ion Barbu, fiin\u021ba superioar\u0103, reprezentat\u0103 de Enigel, este omul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Tehnica<\/strong> de compozi\u021bie este <strong>povestirea \u00een povestire <\/strong>sau povestirea \u00een ram\u0103. La nivel structural, textul este alc\u0103tuit din dou\u0103 p\u0103r\u021bi, iar fiecare parte face referire la o nunt\u0103. Rama prezint\u0103 o nunt\u0103, apar\u021bin\u00e2nd planului real, la care se vorbe\u0219te despre alt\u0103 nunt\u0103. Primele patru strofe constituie <strong>prologul<\/strong>; au rolul de a contura atmosfera de la spartul nun\u021bii reale. Apare aici <strong>motivul menestrelului, trubadurul medieval, care \u00eendepline\u0219te rolul ini\u021biatorului prin c\u00e2ntec<\/strong>: \u201eMult \u00eend\u0103r\u0103tnic menestrel, \/ Un c\u00e2ntec larg tot mai \u00eencearc\u0103, \/ Zi-mi de lapona Enigel \/ \u015ei Crypto, regele-ciupearc\u0103!\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Partea a doua<\/strong>, nunta povestit\u0103, este alc\u0103tuit\u0103 din <strong>patru<\/strong> <strong>secven\u021be<\/strong> <strong>lirice<\/strong>: <strong>portretul<\/strong> lui Crypto, <strong>descrierea<\/strong> regatului acestuia, <strong>portretul<\/strong> laponei Enigel \u0219i drumul ei dinspre locurile natale c\u0103tre soare, <strong>\u00eent\u00e2lnirea<\/strong> celor doi la nivel oniric, <strong>dialogul<\/strong> dintre ei \u0219i pedeapsa lui Crypto pentru aspira\u021bia lui superioar\u0103. \u00cen deschiderea p\u0103r\u021bii a doua, se schi\u021beaz\u0103 <strong>portretul lui Crypto<\/strong>, st\u0103p\u00e2n al unei lumi obscure \u0219i apar\u021bin\u00e2nd familiei ciupercilor. Asupra lui planeaz\u0103 suspiciunea c\u0103 ar fi fost vr\u0103jit s\u0103 r\u0103m\u00e2n\u0103 ve\u0219nic t\u00e2n\u0103r. El este regele ciupercilor, dar fusese blestemat de \u201eo vr\u0103jitoare m\u00e2n\u0103tarc\u0103\u201d s\u0103 nu se poat\u0103 \u00eenso\u021bi cu cineva asemeni lui, a\u0219a c\u0103 nuntirea \u00eei este refuzat\u0103. Poemul continu\u0103 cu <strong>prezentarea laponei Enigel, simbolul fiin\u021bei evoluate<\/strong>, care tr\u0103ie\u0219te \u00een \u201e\u021b\u0103ri de ghea\u021b\u0103\u201d, aspir\u00e2nd c\u0103tre lumin\u0103 \u0219i c\u0103ldura soarelui. Ghea\u021ba este un simbol al g\u00e2ndirii ra\u021bionale. Pornind \u00eentr-o c\u0103l\u0103torie ini\u021biatic\u0103 \u0219i conduc\u00e2ndu-\u0219i renii, fata popose\u0219te pe t\u0103r\u00e2mul lui Crypto. Ca \u00een \u201eLuceaf\u0103rul\u201d, comunicarea dintre ei, care apar\u021bin celor dou\u0103 planuri distincte, nu poate avea loc dec\u00e2t \u00een vis. <strong>Crypto, reprezentant al planului inferior, lanseaz\u0103 trei chem\u0103ri la nuntire, succedate de trei refuzuri<\/strong> motivate ale fetei. Crypto o \u00eembie pe Enigel cu ceea ce are mai de pre\u021b \u00een lumea lui: \u201eEnigel, Enigel, \/ \u021ai-am adus dulcea\u021b\u0103, iac\u0103. \/ Uite . \/ Uite fragi, \u021bie dragi; \/ Ia-i \u0219i toarn\u0103-i \u00een puiac\u0103\u201d. Enigel respinge darurile lui Crypto; ea \u0219tie c\u0103 lumea lui este una a instinctelor. <strong>A doua chemare<\/strong> evoc\u0103 sacrificiul de care este capabil riga Crypto \u00een numele iubirii: \u201eDac\u0103 pleci s\u0103 culegi, \/ \u00cencepi, rogu-te cu mine\u201d. Enigel are capacitatea de a intui c\u0103, pentru crai, maturizarea \u00eenseamn\u0103 moarte: \u201eLas\u0103. A\u0219teapt\u0103 de te coace\u201d. <strong>Ultima chemare<\/strong> \u00eei pretinde fetei sacrificiul s\u0103 renun\u021be la idealul ei, drumul c\u0103tre soare, \u0219i s\u0103 se integreze \u00een regnul inferior, prin nunt\u0103: \u201eLas\u0103-l, uit\u0103-l, Enigel, \/ \u00cen somn fraged \u0219i r\u0103coare\u201d. R\u0103spunsul laponei este amplu \u0219i explicativ, relev\u00e2nd importan\u021ba acestui ideal pentru locuitorii din \u021binuturile ei. Metafora \u201ec\u0103 sufletu-i f\u00e2nt\u00e2n\u0103-n piept\u201d atrage aten\u021bia asupra capacit\u0103\u021bii individului care accede la aceast\u0103 form\u0103 de cunoa\u0219tere. Se valideaz\u0103 astfel concep\u021bia autorului privind cele trei trepte de cunoa\u0219tere: prin eros, ra\u021biune \u0219i para-senzorial. Enigel respinge lumea profan\u0103. Ea se \u00eenchin\u0103 la \u201esoarele \u00een\u021belept\u201d, cea de-a treia treapt\u0103 de cunoa\u0219tere. Soarele este simbolul intelectului. Conflictul apolinic-dionisiac se soldeaz\u0103 cu triumful intelectului asupra afectului.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>\u00cen final, rama se \u00eenchide <\/strong>prin recuperarea vocii narative, care prezint\u0103 sf\u00e2r\u0219itul tragic al regelui Crypto. Distrus de propriul vis, el se transform\u0103 \u00eentr-o ciuperc\u0103 otr\u0103vitoare, fiind obligat a se nunti cu m\u0103selari\u021ba, simbol al unei lumi degradate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; La nivel stilistic, modernismul este ilustrat de abunden\u021ba metaforelor, precum: \u201eSufletul nu e f\u00e2nt\u00e2n\u0103 \/ Dec\u00e2t la om, \/ Fiar\u0103 b\u0103tr\u00e2n\u0103\u201d, dar \u0219i a inversiunilor, a compara\u021biilor \u0219i a epitetelor. Rima este variat\u0103, o combina\u021bie \u00eentre monorim\u0103, rim\u0103 \u00eembr\u0103\u021bi\u0219at\u0103 \u0219i \u00eencruci\u0219at\u0103. M\u0103sura versurilor este de cinci \u0219i nou\u0103 silabe.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u00cen concluzie, \u201eRiga Crypto \u0219i lapona Enigel\u201d este un poem modernist, prin folosirea simbolurilor, fapt care confer\u0103 ambiguitate limbajului poetic.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Modernismul. Ion Barbu: \u201eRiga Crypto \u0219i lapona Enigel\u201d &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Modernismul este o orientare literar\u0103 ini\u021biat\u0103 \u00een literatura rom\u00e2n\u0103 de Eugen Lovinescu, a c\u0103rui doctrin\u0103 porne\u0219te de la ideea c\u0103 exist\u0103 \u201eun spirit al veacului\u201d care impune procesul de sincronizare a literaturii rom\u00e2ne cu literatura european\u0103. \u00cen genul liric, principala inova\u021bie pe care modernismul o aduce &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2022\/05\/17\/modernismul-ion-barbu-riga-crypto-si-lapona-enigel\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">Modernismul. Ion Barbu: \u201eRiga Crypto \u0219i lapona Enigel\u201d<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-5941","post","type-post","status-publish","format-standard","hentry","category-bacalaureat"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/5941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=5941"}],"version-history":[{"count":1,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/5941\/revisions"}],"predecessor-version":[{"id":5942,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/5941\/revisions\/5942"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=5941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=5941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=5941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}