{"id":6987,"date":"2022-12-05T14:06:49","date_gmt":"2022-12-05T14:06:49","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=6987"},"modified":"2022-12-05T14:06:49","modified_gmt":"2022-12-05T14:06:49","slug":"traditionalismul-aci-sosi-pe-vremuri-de-ion-pillat","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2022\/12\/05\/traditionalismul-aci-sosi-pe-vremuri-de-ion-pillat\/","title":{"rendered":"TRADI\u021aIONALISMUL. \u201eACI SOSI PE VREMURI\u201d DE ION PILLAT"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">TRADI\u021aIONALISMUL. \u201eACI SOSI PE VREMURI\u201d DE ION PILLAT<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Perioada interbelic\u0103<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Reprezentativ\u0103 pentru tradi\u021bionalismul interbelic este crea\u021bia literar\u0103 \u201eAci sosi pe vremuri\u201d de Ion Pillat, poezie publicat\u0103 \u00een volumul \u201ePe Arge\u0219 \u00een sus\u201d, \u00een anul 1923.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u00cen primul r\u00e2nd, <strong>caracterul tradi\u021bionalist<\/strong> al textului se eviden\u021biaz\u0103 prin preferin\u021ba autorului pentru <strong>elementele<\/strong> <strong>de autohtonism<\/strong>. \u00centr-adev\u0103r, poezia (discursul liric) contureaz\u0103 imaginea unui univers rural privit cu nostalgie de c\u0103tre eul liric, care proiecteaz\u0103 \u00een cadrul reprezentat de o cas\u0103 rural\u0103 cu \u201eobloane\u201d, \u201epridvor\u201d, \u201epoart\u0103\u201d, \u201ez\u0103vor\u201d cele dou\u0103 pove\u0219ti de dragoste.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u00cen al doilea r\u00e2nd, atmosfera rural\u0103 este conturat\u0103 \u0219i la <strong>nivelul limbajului<\/strong>. \u00cen spiritul esteticii tradi\u021bionaliste, poetul recurge la termeni populari \u0219i arhaici: \u201eobloane\u201d, \u201epridvor\u201d, \u201ez\u0103vor\u201d, \u201epoteri\u201d, \u201ecrinolin\u0103\u201d. &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u00cen aceea\u0219i ordine de idei, poezia \u201eAci sosi pe vremuri\u201d se \u00eenscrie \u00een estetica tradi\u021bionalist\u0103 \u0219i prin <strong>tematica abordat\u0103<\/strong>, cea rural\u0103. Aceast\u0103 macrotem\u0103 se particularizeaz\u0103 prin cea a iubirii \u0219i a timpului.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Prima secven\u021b\u0103 poetic\u0103 reconstituie povestea de iubire a bunicilor, tinerii de odinioar\u0103<\/strong>. Aceast\u0103 idil\u0103 este proiectat\u0103 \u00eentr-un <strong>cadru romantic<\/strong>, dominat de prezen\u021ba astrului selenar (luna) \u0219i a lacului. Mai mult, secven\u021ba cuprinde <strong>elemente de intertextualitate<\/strong>, prin trimiteri la operele unor autori romantici, din a c\u0103ror oper\u0103 bunicul \u00eei recit\u0103 bunicii: \u201eLe lac\u201d de Lamartine \u0219i \u201eZbur\u0103torul\u201d de Ion Heliade R\u0103dulescu. Povestea de iubire a bunicilor este \u00eentrerupt\u0103 \u00eens\u0103 de clopotul care sun\u0103 \u201e\u00een turnul vechi din sat\u201d, un sunet amintind c\u0103 acolo unde exist\u0103 nunt\u0103, este \u0219i moarte.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Cea de-a doua secven\u021b\u0103 poetic\u0103 aduce \u00een prim-plan alt\u0103 poveste de iubire, cea a nepo\u021bilor.<\/strong> Secven\u021ba este introdus\u0103 printr-o compara\u021bie, pun\u00e2ndu-se, altfel, \u00een eviden\u021b\u0103 caracterul ciclic al existen\u021bei umane: \u201eCa ieri sosi bunica&#8230; \u0219i vii acuma tu: \/ Pe urmele berlinei, tr\u0103sura ta st\u0103tu\u201d. <strong>Leg\u0103tura dintre genera\u021bii<\/strong> se realizeaz\u0103 cu ajutorul unui detaliu semnificativ, reprezentat de <strong>simbolul ochiului<\/strong>: odinioar\u0103, \u201ede peruzea\u201d, acum \u201ede ametist\u201d. <strong>Diferen\u021bele dintre cupluri \u021bin de moda vremii<\/strong>: berlina este \u00eenlocuit\u0103 de tr\u0103sur\u0103, iar \u00eendr\u0103gostitul \u00eei recit\u0103 iubitei poeme simboliste semnate de Francis Jammes sau Horia Furtun\u0103. Sunetul clopotului avertizeaz\u0103 din nou asupra trecerii timpului.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Element paratextual<strong>, titlul<\/strong> anticipeaz\u0103 ideea poetic\u0103, fiind \u00een str\u00e2ns\u0103 corela\u021bie cu mesajul transmis de poem. Titlul este structurat pe baza unui adverb de loc cu form\u0103 regional\u0103, \u201eaci\u201d, a verbului la perfectul simplu, \u201esosi\u201d, \u0219i a locu\u021biunii adverbiale de timp, \u201epe vremuri\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Succesiunea genera\u021biilor este sugerat\u0103, la nivel textual, printr-o serie de <strong>elemente de recuren\u021b\u0103<\/strong>. <strong>Luna <\/strong>apare ca un martor mut al pove\u0219tilor de iubire, \u00eenso\u021bind de fiecare dat\u0103 \u00eent\u00e2lnirea cuplului de \u00eendr\u0103gosti\u021bi. <strong>Lanul de secar\u0103<\/strong>, alt element de comun al celor dou\u0103 pove\u0219ti de dragoste, este prezent at\u00e2t pe vremea bunicilor, c\u00e2t \u0219i pe vremea nepo\u021bilor. <strong>Recit\u0103rile de poeme<\/strong>, prin care cei doi b\u0103rba\u021bi \u00ee\u0219i cer viitoarele so\u021bii \u0219i <strong>sunetul clopotului<\/strong> \u201e\u00een turnul vechi din sat\u201d sunt alte elemente de recuren\u021b\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Din punct de vedere compozi\u021bional<\/strong>, poetul opteaz\u0103 pentru <strong>elemente de prozodie<\/strong> aflate la confluen\u021ba dintre tradi\u021bie \u0219i modernitate. Structurarea discursului liric \u00een nou\u0103sprezece distihuri, cu o metric\u0103 de 13 \u2013 14 silabe, ritm iambic \u0219i rim\u0103 \u00eemperecheat\u0103 reflect\u0103 preferin\u021ba poetului pentru structurile clasice, \u00een vreme ce versul liber din final reprezint\u0103 o tr\u0103s\u0103tur\u0103 a modernit\u0103\u021bii.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>\u00cen concluzie<\/strong>, poezia \u201eAci sosi pe vremuri\u201d de Ion Pillat r\u0103m\u00e2ne o crea\u021bie reprezentativ\u0103 at\u00e2t pentru viziunea despre lume a autorului, c\u00e2t \u0219i pentru diversitatea tematic\u0103, specific\u0103 literaturii noastre interbelice.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TRADI\u021aIONALISMUL. \u201eACI SOSI PE VREMURI\u201d DE ION PILLAT &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Perioada interbelic\u0103 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Reprezentativ\u0103 pentru tradi\u021bionalismul interbelic este crea\u021bia literar\u0103 \u201eAci sosi pe vremuri\u201d de Ion Pillat, poezie publicat\u0103 \u00een volumul \u201ePe Arge\u0219 \u00een sus\u201d, \u00een anul 1923. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u00cen primul r\u00e2nd, caracterul tradi\u021bionalist al textului se eviden\u021biaz\u0103 prin preferin\u021ba autorului pentru elementele de autohtonism. \u00centr-adev\u0103r, &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2022\/12\/05\/traditionalismul-aci-sosi-pe-vremuri-de-ion-pillat\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">TRADI\u021aIONALISMUL. \u201eACI SOSI PE VREMURI\u201d DE ION PILLAT<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-6987","post","type-post","status-publish","format-standard","hentry","category-bacalaureat"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/6987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=6987"}],"version-history":[{"count":1,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/6987\/revisions"}],"predecessor-version":[{"id":6990,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/6987\/revisions\/6990"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=6987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=6987"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=6987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}