{"id":8065,"date":"2023-02-22T09:05:49","date_gmt":"2023-02-22T09:05:49","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=8065"},"modified":"2023-03-04T20:18:19","modified_gmt":"2023-03-04T20:18:19","slug":"caracterizarea-lui-ghita-din-nuvela-moara-cu-noroc-de-ioan-slavici-comentariu-bac","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/02\/22\/caracterizarea-lui-ghita-din-nuvela-moara-cu-noroc-de-ioan-slavici-comentariu-bac\/","title":{"rendered":"CARACTERIZAREA LUI GHI\u021a\u0102 din nuvela \u201eMoara cu noroc\u201d de Ioan Slavici. Comentariu bac"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">CARACTERIZAREA LUI GHI\u021a\u0102<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eMoara cu noroc\u201d de Ioan Slavici, oper\u0103 publicat\u0103 \u00een volumul \u201eNovele din popor\u201d (1881),  este o nuvel\u0103 psihologic\u0103 de factur\u0103 realist\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Modalit\u0103\u021bile de caracterizare sunt directe \u0219i indirecte.&nbsp;\u00cen cazul lui Ghi\u021b\u0103, sunt utilizate mijloace moderne de caracterizare, precum monologul interior \u0219i stilul indirect liber.&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Statutul social.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Statutul social al protagonistului<\/strong>&nbsp;este surprins \u00eenc\u0103 din incipitul nuvelei. Cizmar s\u0103rac, con\u0219tientiz\u00e2nd responsabilit\u0103\u021bile familiale, Ghi\u021b\u0103 decide s\u0103 ia \u00een arend\u0103 c\u00e2rciuma de la Moara cu noroc, tocmai pentru a-\u0219i asigura un trai mai bun.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Statutul psihologic.<\/strong> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Din punct de vedere psihologic<\/strong>, Ghi\u021b\u0103 este, la \u00eenceput, un caracter puternic. St\u0103p\u00e2n pe sine, \u00eencrez\u0103tor \u00een for\u021bele proprii, nu ia \u00een seam\u0103 sfaturile b\u0103tr\u00e2nei sale soacre \u0219i se mut\u0103 la Moara cu noroc. Sub influen\u021ba lui Lic\u0103 S\u0103m\u0103d\u0103ul, b\u0103rbatul \u00ee\u0219i pierde treptat \u00eencrederea \u00een sine \u0219i devine slab \u00een fa\u021ba tenta\u021biei de a se \u00eembog\u0103\u021bi: \u201eA\u0219a m-a l\u0103sat Dumnezeu. Ce s\u0103-mi fac dac\u0103 e \u00een mine ceva mai puternic dec\u00e2t voin\u021ba mea? Nici coco\u0219atul nu e vinovat c\u0103 are cocoa\u0219\u0103 \u00een spinare\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Statutul moral. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Viziunea despre lume a autorului se reflect\u0103 la nivelul statutului moral al protagonistului<\/strong>. A\u0219a cum se prefigureaz\u0103 \u00eenc\u0103 din titlu, nuvela urm\u0103re\u0219te m\u0103cinarea, p\u00e2n\u0103 la dispari\u021bie, a con\u0219tiin\u021bei lui Ghi\u021b\u0103. \u00centov\u0103r\u0103\u0219irea cu Lic\u0103 va duce la pr\u0103bu\u0219irea lui moral\u0103: jur\u0103 str\u00e2mb la proces, devenind, astfel, complice la jaf \u0219i la crim\u0103. Se \u00eendep\u0103rteaz\u0103 treptat de familie, ajung\u00e2nd s\u0103 regrete c\u0103 are nevast\u0103 \u0219i copii \u0219i c\u0103 nu-\u0219i poate asuma \u00een totalitate riscul \u00eembog\u0103\u021birii, al\u0103turi de Lic\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dou\u0103 episoade \/ secven\u021be \/ situa\u021bii semnificative pentru relevarea principalei tr\u0103s\u0103turi a protagonistului. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pe parcursul discursului narativ, se relev\u0103&nbsp;<strong>caracterul slab, u\u0219or influen\u021babil al protagonistului. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRIMA SECVEN\u021a\u0102. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Semnificativ\u0103 este prima \u00eent\u00e2lnire dintre Ghi\u021b\u0103 \u0219i Lic\u0103<\/strong>, moment \u00een care S\u0103m\u0103d\u0103ul \u00ee\u0219i impune \u00een fa\u021ba noului c\u00e2rciumar propriile reguli: \u201eEu vreau s\u0103 \u0219tiu totdeauna cine trece pe aici, cine umbl\u0103 pe drum, cine ce zice \u0219i cine ce face. Cred c\u0103 ne-am \u00een\u021beles\u201d. Dac\u0103 pentru Ghi\u021b\u0103 rela\u021biile dintre oameni se bazeaz\u0103 pe respect, pentru Lic\u0103 rela\u021bia cu partenerul de afaceri \u00eenseamn\u0103 subordonare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A DOUA SECVEN\u021a\u0102.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Caracterul slab al protagonistului se reflect\u0103 \u0219i \u00een finalul nuvelei<\/strong>. Ghi\u021b\u0103, orbit de furie \u0219i dornic a se r\u0103zbuna pe Lic\u0103, \u00ee\u0219i arunc\u0103 so\u021bia, drept momeal\u0103, \u00een bra\u021bele S\u0103m\u0103d\u0103ului. Dezgustat\u0103 de la\u0219itatea so\u021bului, pe care \u00eel consider\u0103 \u201edoar o muiere \u00eembr\u0103cat\u0103 \u00een pantaloni\u201d, Ana i se d\u0103ruie\u0219te lui Lic\u0103 S\u0103m\u0103d\u0103ul. Con\u0219tientiz\u00e2nd c\u0103 el \u00eensu\u0219i e vinovat pentru gestul so\u021biei, Ghi\u021b\u0103 o ucide pe femeie, \u201e\u00eenfig\u00e2ndu-i ad\u00e2nc cu\u021bitul \u00een inim\u0103\u201d. La r\u00e2ndul s\u0103u, Ghi\u021b\u0103 este \u00eempu\u0219cat de R\u0103u\u021b la ordinul lui Lic\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ILUSTRAREA A DOU\u0102 ELEMENTE DE STRUCTUR\u0102 \u0218I DE COMPOZI\u021aIE<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00cen primul r\u00e2nd, nuvela abordeaz\u0103 o tematic\u0103 realist\u0103, social\u0103, rural\u0103<\/strong>, autorul urm\u0103rind transform\u0103rile lumii tradi\u021bionale sub influen\u021ba noilor rela\u021bii capitaliste. Alt\u0103 tem\u0103 este psihologic\u0103, \u00eentruc\u00e2t este prezentat modul \u00een care banul distruge firea lui Ghi\u021b\u0103, protagonistul nuvelei.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00cen al doilea r\u00e2nd,<\/strong>&nbsp;textul narativ surprinde un&nbsp;<strong>conflict exterior<\/strong>&nbsp;dintre cele dou\u0103 mentalit\u0103\u021bi: cea tradi\u021bional\u0103 \u0219i cea capitalist\u0103. Autorul pune accent \u0219i pe reliefarea unui&nbsp;<strong>conflict interior<\/strong>, traversat de protagonist. Astfel, con\u0219tiin\u021ba lui Ghi\u021b\u0103 este scindat\u0103 \u00eentre dorin\u021ba de a se \u00eembog\u0103\u021bi \u0219i impulsul de a r\u0103m\u00e2ne om cinstit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Perspectiva narativ\u0103&nbsp;<\/strong>este obiectiv\u0103, cu viziunea dind\u0103r\u0103t. Naratorul este omniscient \u0219i omniprezent, care nareaz\u0103 la persoana a III-a.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Construc\u021bia subiectului reflect\u0103 preferin\u021ba scriitorului pentru rigurozitatea clasicismului. Ac\u021biunea este structurat\u0103 \u00een 17 capitole.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00cen concluzie<\/strong>, personajul Ghi\u021b\u0103, protagonistul nuvelei \u201eMoara cu noroc\u201d, devine reprezentativ pentru viziunea despre lume a autorului, c\u00e2t \u0219i pentru realismul rom\u00e2nesc din a doua jum\u0103tate a secolului al XIX-lea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(579)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CARACTERIZAREA LUI GHI\u021a\u0102 \u201eMoara cu noroc\u201d de Ioan Slavici, oper\u0103 publicat\u0103 \u00een volumul \u201eNovele din popor\u201d (1881), este o nuvel\u0103 psihologic\u0103 de factur\u0103 realist\u0103. Modalit\u0103\u021bile de caracterizare sunt directe \u0219i indirecte.&nbsp;\u00cen cazul lui Ghi\u021b\u0103, sunt utilizate mijloace moderne de caracterizare, precum monologul interior \u0219i stilul indirect liber.&nbsp; Statutul social. Statutul social al protagonistului&nbsp;este surprins \u00eenc\u0103 &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/02\/22\/caracterizarea-lui-ghita-din-nuvela-moara-cu-noroc-de-ioan-slavici-comentariu-bac\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">CARACTERIZAREA LUI GHI\u021a\u0102 din nuvela \u201eMoara cu noroc\u201d de Ioan Slavici. Comentariu bac<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-8065","post","type-post","status-publish","format-standard","hentry","category-bacalaureat"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=8065"}],"version-history":[{"count":2,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8065\/revisions"}],"predecessor-version":[{"id":8102,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8065\/revisions\/8102"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=8065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=8065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=8065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}