{"id":8100,"date":"2023-02-24T09:17:01","date_gmt":"2023-02-24T09:17:01","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=8100"},"modified":"2023-03-04T20:17:32","modified_gmt":"2023-03-04T20:17:32","slug":"caracterizarea-vitoriei-lipan","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/02\/24\/caracterizarea-vitoriei-lipan\/","title":{"rendered":"Caracterizarea Vitoriei Lipan"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Caracterizarea Vitoriei Lipan<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Crea\u021bia literar\u0103 \u201eBaltagul\u201d de Mihail Sadoveanu, oper\u0103 publicat\u0103 \u00een anul 1930, este un roman realist cu substrat mitic, \u00een care personajul Vitoria Lipan devine reprezentativ pentru viziunea despre lume a autorului.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Modalit\u0103\u021bile de caracterizare sunt directe \u0219i indirecte<\/strong>. <strong>\u00cen primele cinci capitole, Vitoria Lipan este caracterizat\u0103 preponderent indirect<\/strong>, comportamentul s\u0103u fiind specific unei muntence. Tot \u00een partea expozitiv\u0103 a textului, naratorul omniscient recurge la c<strong>aracterizarea direct\u0103 \u00een vederea portretiz\u0103rii personajului feminin<\/strong>. Elementul central asupra c\u0103ruia se opre\u0219te este privirea, ca oglind\u0103 a sufletului. \u00cen acest fel, naratorul dezv\u0103luie at\u00e2t frumuse\u021bea interioar\u0103 a eroinei, c\u00e2t \u0219i \u00eengrijorarea acesteia: \u201eDe\u0219i nu mai era t\u00e2n\u0103r\u0103, avea o frumuse\u021b\u0103 neobi\u0219nuit\u0103 \u00een privire. Ochii \u00eei str\u0103luceau ca \u00eentr-un fel de cea\u021b\u0103, \u00een dosul genelor lungi, r\u0103sfr\u00e2nte \u00een ni\u0219te c\u00e2rliga\u0219e\u201d.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Statutul social.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Din punct de vedere social<\/strong>, Vitoria Lipan \u00eentruchipeaz\u0103 tipologia muntencei. Familia Lipan este una de tip patriarhal, \u00een care b\u0103rbatul face legea. Absen\u021ba lui Nechifor Lipan este resim\u021bit\u0103 de Vitoria ca un dezechilibru, ca o amenin\u021bare pentru omogenitatea familiei. \u00cen acest scop, femeia \u00eencearc\u0103 s\u0103-l con\u0219tientizeze pe Gheorghi\u021b\u0103 de importan\u021ba c\u0103l\u0103toriei, de faptul c\u0103 el urmeaz\u0103 s\u0103 devin\u0103 capul familiei, \u00een locul lui Nechifor Lipan. Aceast\u0103 mentalitate patriarhal\u0103 se eviden\u021biaz\u0103 \u00een rela\u021bia pe care mama o are cu cei doi copii ai s\u0103i: dac\u0103 fa\u021b\u0103 de Minodora este mai restrictiv\u0103, \u00een raport cu Gheorghi\u021b\u0103 se dovede\u0219te mai permisiv\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Statutul psihologic.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a0<strong>Din punct de vedere psihologic<\/strong>, Vitoria Lipan se \u00eencadreaz\u0103 \u00een categoria \u201esufletelor tari\u201d. Femeia d\u0103 dovad\u0103 de st\u0103p\u00e2nire de sine. Caracter puternic, ea reu\u0219e\u0219te s\u0103-\u0219i duc\u0103 la \u00eendeplinire scopul, acela de de a afla adev\u0103rul despre moartea so\u021bului ei. VITORIA ARE O INTELIGEN\u021a\u0102 nativ\u0103, astfel \u00eenc\u00e2t se adapteaz\u0103 cu u\u0219urin\u021b\u0103 la legile lumii noi cu care intr\u0103 \u00een contact. Intuie\u0219te ce se afl\u0103 \u00een sufletele oamenilor. Aceast\u0103<strong> intui\u021bie <\/strong>\u00eel uime\u0219te pe naivul Gheorghi\u021b\u0103 care spune despre ea: \u201emama asta trebuie s\u0103 fie fermec\u0103toare, pentru c\u0103 poate citi g\u00e2ndurile omului\u201d. De fapt, ea \u00eens\u0103\u0219i \u00ee\u0219i eviden\u021biaz\u0103 aceast\u0103 capacitate, \u00een momentul \u00een care i se adreseaz\u0103 fiului: \u201eEu te pot ceti pe tine, m\u0103car c\u0103 nu \u0219tiu carte\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Statutul moral.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Viziunea despre lume a autorului se reflect\u0103 mai ales la nivelul statutului moral<\/strong> al protagonistei. \u00centregul ei comportament \u00eei reflect\u0103 verticalitatea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Principala tr\u0103s\u0103tur\u0103,<\/strong> relevat\u0103 de dou\u0103 secven\u021be \/ episoade.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Inteligen\u021ba \u0219i, totodat\u0103, determinarea sunt principalele tr\u0103s\u0103turi de caracter ale Vitoriei Lipan. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2 EPISOADE\/ SECVEN\u021aE \/SITUA\u021aII SEMNIFICATIVE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Prima secven\u021b\u0103.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>O prim\u0103 secven\u021b\u0103<\/strong>, menit\u0103 a reliefa tr\u0103s\u0103turile de caracter ale protagonistei, o reprezint\u0103 <strong>dialogul pe care Vitoria \u00eel poart\u0103 cu Gheorghi\u021b\u0103 \u00eenainte de plecarea la drum<\/strong>. Acest schimb de replici constituie o form\u0103 de caracterizare indirect\u0103, care relev\u0103 inteligen\u021ba \u0219i, totodat\u0103, determinarea protagonistei. De\u0219i Gheorghi\u021b\u0103 este \u00eenc\u0103 inocent, mama adopt\u0103 o atitudine conving\u0103toare, prin care \u00eel con\u0219tientizeaz\u0103 pe t\u00e2n\u0103r de faptul c\u0103, pentru el \u00eencepe o nou\u0103 etap\u0103 a vie\u021bi: \u201e\u201e\u00cen\u021belege c\u0103 juc\u0103riile au stat. De acum, trebuie s\u0103 te ar\u0103\u021bi b\u0103rbat. Eu alt sprijin pe lume nu mai am \u0219i \u00eemi trebuie bra\u021bul t\u0103u\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a0<strong>A doua secven\u021b\u0103. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Alt episod narativ <\/strong>care pune \u00een relief tr\u0103s\u0103turile Vitoriei \u00eel constituie <strong>momentul \u00een care sunt descoperite osemintele lui Nechifor Lipan \u00een r\u00e2pa dintre Suha \u0219i Sabasa<\/strong>. Aceasta \u00ee\u0219i p\u0103streaz\u0103 st\u0103p\u00e2nirea de sine. Atent\u0103 la p\u0103strarea tradi\u021biei, \u00ee\u0219i jele\u0219te so\u021bul \u0219i \u00eei aprinde o lum\u00e2nare, dar, \u00een acela\u0219i timp, colaboreaz\u0103 cu autorit\u0103\u021bile. Accept\u0103 s\u0103 vorbeasc\u0103 \u201eprin s\u00e2rm\u0103\u201d cu prefectul de la Piatra, c\u0103ruia \u00eei cere permisiunea s\u0103 o lase s\u0103-\u0219i \u00eengroape b\u0103rbatul \u201e\u00een \u021bintirim\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2 ELEMENTE DE STRUCTUR\u0102 \/ DE COMPOZI\u021aIE<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Tema.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00ceN PRIMUL R\u00c2ND, romanul abordeaz\u0103 urm\u0103toarea tem\u0103: condi\u021bia femeii \u00eentr-o comunitate patriarhal\u0103, o femeie nevoit\u0103 s\u0103 tr\u0103iasc\u0103 la confluen\u021ba dintre tradi\u021bie \u0219i modernitate. \u00cen acest sens, drumul parcurs de eroin\u0103 al\u0103turi de fiul s\u0103u Gheorghi\u021b\u0103 \u00een \u021binutul Dornelor, \u00een c\u0103utarea lui Nechifor Lipan, \u00ee\u0219i dezv\u0103luie semnifica\u021bia unui traseu ini\u021biatic, \u00een sensul \u00een care Vitoria se va ini\u021bia \u00een moarte, iar Gheorghi\u021b\u0103, \u00een via\u021b\u0103, urm\u00e2nd s\u0103 preia locul tat\u0103lui s\u0103u.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Conflictele din roman.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00cen al doilea r\u00e2nd<\/strong>, conflictul central al romanului nu const\u0103 \u00een ciocnirea dintre cele dou\u0103 mentalit\u0103\u021bi. Tensiunile apar atunci c\u00e2nd noua lume capitalist\u0103 genereaz\u0103 excese, \u00eendep\u0103rt\u00e2ndu-se de la valorile morale. Este vorba despre Ilie Cu\u021bui \u0219i Calistrat Bogza, cele dou\u0103 personaje care au \u00eencercat s\u0103 se \u00eembog\u0103\u021beasc\u0103 prin mijloace necinstite. Aici se relev\u0103 \u0219i rolul Vitoriei Lipan. Aceasta trebuie s\u0103 restabileasc\u0103, prin actul justi\u021biar, ordinea unei lumi ce era s\u0103 se transforme \u00een haos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Perspectiva narativ\u0103<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Perspectiva narativ\u0103 a romanului \u201eBaltagul\u201d este obiectiv\u0103<\/strong>, cu viziunea \u201edind\u0103r\u0103t\u201d, apar\u021bin\u00e2nd unui narator omniscient, omniprezent \u0219i extradiegetic, care nareaz\u0103 la persoana a III-a.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Concluzia. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00cen concluzie<\/strong>, Vitoria Lipan r\u0103m\u00e2ne un personaj reprezentativ pentru viziunea despre lume a autorului.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(762 de cuvinte)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caracterizarea Vitoriei Lipan Crea\u021bia literar\u0103 \u201eBaltagul\u201d de Mihail Sadoveanu, oper\u0103 publicat\u0103 \u00een anul 1930, este un roman realist cu substrat mitic, \u00een care personajul Vitoria Lipan devine reprezentativ pentru viziunea despre lume a autorului. Modalit\u0103\u021bile de caracterizare sunt directe \u0219i indirecte. \u00cen primele cinci capitole, Vitoria Lipan este caracterizat\u0103 preponderent indirect, comportamentul s\u0103u fiind specific &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/02\/24\/caracterizarea-vitoriei-lipan\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">Caracterizarea Vitoriei Lipan<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-8100","post","type-post","status-publish","format-standard","hentry","category-bacalaureat"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=8100"}],"version-history":[{"count":1,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8100\/revisions"}],"predecessor-version":[{"id":8101,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8100\/revisions\/8101"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=8100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=8100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=8100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}