{"id":8206,"date":"2023-03-04T17:10:59","date_gmt":"2023-03-04T17:10:59","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=8206"},"modified":"2023-03-04T17:10:59","modified_gmt":"2023-03-04T17:10:59","slug":"dan-ionescu-vis-visus-sau-forta-visului-poeme-cu-un-cuvant-inainte-de-dan-cristea-craiova-editura-scrisul-romanesc-2008-104-pagini-cronica-literara-de-dinu-mirea","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/03\/04\/dan-ionescu-vis-visus-sau-forta-visului-poeme-cu-un-cuvant-inainte-de-dan-cristea-craiova-editura-scrisul-romanesc-2008-104-pagini-cronica-literara-de-dinu-mirea\/","title":{"rendered":"DAN IONESCU, Vis Visus sau for\u021ba visului. Poeme, cu un Cuv\u00e2nt \u00eenainte de Dan Cristea. Craiova, Editura Scrisul Rom\u00e2nesc, 2008, 104 pagini. Cronic\u0103 literar\u0103 de Dinu Mirea"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/blog.revistaderecenzii.com\/wp-content\/uploads\/2023\/03\/image-1-684x1024.png\" alt=\"\" class=\"wp-image-8207\" srcset=\"https:\/\/blog.revistaderecenzii.com\/wp-content\/uploads\/2023\/03\/image-1-684x1024.png 684w, https:\/\/blog.revistaderecenzii.com\/wp-content\/uploads\/2023\/03\/image-1-200x300.png 200w, https:\/\/blog.revistaderecenzii.com\/wp-content\/uploads\/2023\/03\/image-1-768x1150.png 768w, https:\/\/blog.revistaderecenzii.com\/wp-content\/uploads\/2023\/03\/image-1.png 787w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><figcaption class=\"wp-element-caption\">Vis visus sau For\u021ba visului <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">DAN IONESCU, Vis Visus sau for\u021ba visului.<br>Poeme, cu un Cuv\u00e2nt \u00eenainte de Dan Cristea. Craiova,<br>Editura Scrisul Rom\u00e2nesc, 2008, 104 pagini.<br>Aflat la a cincea apari\u021bie editorial\u0103, girat \u2013 \u00eenc\u0103 de la<br>debut \u2013 de autoritatea critic\u0103 a lui Dan Cristea, Dan<br>Ionescu se prezint\u0103 \u2013 \u0219i de aceast\u0103 dat\u0103 \u2013 cititorilor ca<br>un poet foarte matur, conving\u0103tor mai ales prin poezia de<br>idei pe care o practic\u0103, indiferent dac\u0103 sursa inspira\u021biei<br>sale se afl\u0103 \u00een propria biografie, \u00een lumea fascinant\u0103 a<br>bibliotecii (cel mai adesea), \u00een texte biblice de maxim\u0103<br>semnifica\u021bie, \u00een aliajul (at\u00e2t de viu) \u00eentre vis \u0219i realitate.<br>\u201eImportant, \/ \u2013 spune poetul \u2013 pentru a gusta fericirea<br>f\u0103r\u0103 margini a st\u0103rii de vis, \/ este s\u0103 nu impor\u021bi geometria<br>lumii reale \/ \u00een spa\u021biul oniric\u201c (protec\u021bie absolut necesar\u0103).<br>Deloc \u00eent\u00e2mpl\u0103tor se fac referiri \u00een texte la Gorgias<br>Leontinul (485\u2013376 \u00ee.Hr.), autor al unui tratat filozofic,<br>Despre natur\u0103, Aristip din Cyrene (435\u2013355 \u00ee.Hr.), discipol<br>al ui Socrate, preocupat de etic\u0103 \u0219i de mul\u021bumirea sufleteasc\u0103,<br>Titus Lucretius Carus (95\u201355 \u00ee. Hr.9, autorul<br>cunoscutului poem filozofic De rerum natura de care se<br>apropie nu numai prin preocuparea de a alc\u0103tui un discurs<br>al esen\u021belor din lucruri, dar \u0219i prin stilul limpede, echilibrat,<br>armonios, contaminat de lectura textelor clasice p\u00e2n\u0103<br>\u00eentr-at\u00e2t \u00eenc\u00e2t \u201e\u00eentre vis \u0219i limbaj \/ nu va exista vreo<br>nepotrivire\u201c. \u00centre toate, confruntarea decisiv\u0103 pare s\u0103 fie<br>aceea dintre limitat \u0219i ilimitat. Astfel, o limit\u0103 ar fi propriul<br>corp material care \u201easimileaz\u0103 prin sim\u021buri aspectul\u201c, apoi<br>limita rela\u021biilor care, odat\u0103 ce se las\u0103 definite, se opun<br>armoniei n\u0103scute din dragoste, g\u00e2ndul \/ ra\u021biunea ca limit\u0103<br>\u00een calea VISULUI creator, cu \u201eriscul de a r\u0103m\u00e2ne \u00een pragul<br>tainei\u201c; z\u0103d\u0103rnicia \u201e\u00eens\u0103\u0219i e limita dorin\u021bei\u201d, iar destinul \u2013<br>ultima limit\u0103 ce se \u00eencearc\u0103 a fi descifrat\u0103. E o poezie<br>grea de sensuri, dar nu mai pu\u021bin elaborat\u0103 de un creator<br>experimentat \u0219i perfec\u021bionist. \u00cen poemele inspirate din<br>copil\u0103ria \u0219i tinere\u021bea sa accentele elegiace sunt suficient<br>de ap\u0103sate, ceea ce nu exclude caracterul explicit de<br>medita\u021bie filozofic\u0103 \u0219i pasiune erotic\u0103, ce \u00eembrac\u0103 uneori<br>forma dramatic\u0103 a rolurilor, constituindu-se ca o liric\u0103 a<br>m\u0103\u0219tilor, cu folosirea fireasc\u0103 a simbolurilor \u0219i a sugestiei<br>muzicale, transparen\u021ba imaginilor, limbajul de aleas\u0103<br>noble\u021be \u0219i sobrietate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dinu Mirea, \u00een revista \u201ePro-Saeculum\u201d, Nr. 2 \/ 2009<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DAN IONESCU, Vis Visus sau for\u021ba visului.Poeme, cu un Cuv\u00e2nt \u00eenainte de Dan Cristea. Craiova,Editura Scrisul Rom\u00e2nesc, 2008, 104 pagini.Aflat la a cincea apari\u021bie editorial\u0103, girat \u2013 \u00eenc\u0103 de ladebut \u2013 de autoritatea critic\u0103 a lui Dan Cristea, DanIonescu se prezint\u0103 \u2013 \u0219i de aceast\u0103 dat\u0103 \u2013 cititorilor caun poet foarte matur, conving\u0103tor mai ales &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/03\/04\/dan-ionescu-vis-visus-sau-forta-visului-poeme-cu-un-cuvant-inainte-de-dan-cristea-craiova-editura-scrisul-romanesc-2008-104-pagini-cronica-literara-de-dinu-mirea\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">DAN IONESCU, Vis Visus sau for\u021ba visului. Poeme, cu un Cuv\u00e2nt \u00eenainte de Dan Cristea. Craiova, Editura Scrisul Rom\u00e2nesc, 2008, 104 pagini. Cronic\u0103 literar\u0103 de Dinu Mirea<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8206","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=8206"}],"version-history":[{"count":1,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8206\/revisions"}],"predecessor-version":[{"id":8208,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8206\/revisions\/8208"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=8206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=8206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=8206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}