{"id":8310,"date":"2023-03-16T18:47:10","date_gmt":"2023-03-16T18:47:10","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=8310"},"modified":"2023-03-16T18:47:10","modified_gmt":"2023-03-16T18:47:10","slug":"caracterizarea-lui-zoe-trahanache","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/03\/16\/caracterizarea-lui-zoe-trahanache\/","title":{"rendered":"Caracterizarea lui Zoe Trahanache<\/strong>"},"content":{"rendered":"\n

Caracterizarea lui Zoe Trahanache<\/strong><\/p>\n\n\n\n

               Epoca marilor clasici se caracterizeaz\u0103 printr-o efervescen\u021b\u0103 creatoare f\u0103r\u0103 precedent, fiind ilustrat\u0103 de scriitorii Mihai Eminescu, I. L. Caragiale, Ioan Slavici \u0219i Ion Creang\u0103.<\/p>\n\n\n\n

            \u00cen acest context cultural, dramaturgul I. L. Caragiale este un martor cu nerv satiric al vremii lui, \u00een cele patru comedii: \u201eO noapte furtunoas\u0103\u201d (1879), \u201eConu Leonida fa\u021b\u0103 cu reac\u021biunea\u201d (1880), \u201eO scrisoare pierdut\u0103\u201d (1884), \u201eD ‘ ale carnavalului\u201d (1885).<\/p>\n\n\n\n

            Reprezentat\u0103 pe scen\u0103 \u00een 1884, comedia de moravuri \u201eO scrisoare pierdut\u0103\u201d satirizeaz\u0103 aspecte ale societ\u0103\u021bii contemporane autorului, fiind inspirat\u0103 de farsa electoral\u0103 din anul 1883, dar \u0219i din via\u021ba de familie.<\/p>\n\n\n\n

            Zoe Trahanache, unul dintre personajele principale ale operei, este prezentat\u0103 \u00een toate momentele \u2013 cheie ale ac\u021biunii.<\/p>\n\n\n\n

Statutul social.<\/strong><\/p>\n\n\n\n

            Prin statutul ei social, Zoe apar\u021bine burgheziei politice de la sf\u00e2r\u0219itul secolului al XIX-lea, fiind singurul personaj feminin al piesei, so\u021bia venerabilului domn Zaharia Trahanache, b\u0103rbat influent politic ce conduce numeroase \u201ecomitete \u0219i comi\u021bii\u201d \u00een or\u0103\u0219elul de provincie.<\/p>\n\n\n\n

Statutul moral.<\/strong><\/p>\n\n\n\n

            Prin statutul moral, Zoe Trahanache este tipul cochetei \u0219i al adulterinei, fiind amanta prefectului Tip\u0103tescu, \u0219i reprezint\u0103 tipul femeii ambi\u021bioase, cu o personalitate puternic\u0103. Zoe exercit\u0103 o influen\u021b\u0103 mare asupra so\u021bului \u0219i amantului. De asemenea, ea se manifest\u0103 autoritar fa\u021b\u0103 de cei din jur, care sunt con\u0219tien\u021bi de for\u021ba pe care o de\u021bine \u0219i \u00eencearc\u0103 s\u0103-i fac\u0103 pe plac. Pristanda recunoa\u0219te c\u0103 se afl\u0103 \u00een slujba ei: \u201eal dumneavoastr\u0103, coane F\u0103nic\u0103, \u0219i al coanii Joi\u021bichii\u201d, iar Farfuridi afirm\u0103 c\u0103 partidul \u00eenseamn\u0103, \u00een primul r\u00e2nd, \u201emadam Trahanache \u0219i apoi ceilal\u021bi\u201d.<\/p>\n\n\n\n

Tr\u0103s\u0103tura dominant\u0103 \/ dou\u0103 secven\u021be<\/strong><\/p>\n\n\n\n

            O tr\u0103s\u0103tur\u0103 dominant\u0103 a personajului este ambi\u021bia<\/strong>, tr\u0103s\u0103tur\u0103 care se manifest\u0103 progresiv din momentul \u00een care \u00ee\u0219i d\u0103 seama c\u0103 reputa\u021bia ei este \u00een pericol.<\/p>\n\n\n\n

I Scen\u0103<\/strong><\/p>\n\n\n\n

            O scen\u0103 ilustrativ\u0103 \u00een acest sens este aceea \u00een care ia ini\u021biativa \u0219i \u00eel trimite pe Pristanda<\/strong> s\u0103 \u00eencerce s\u0103 afle ce anume l-ar putea convinge pe Ca\u021bavencu s\u0103 nu publice documentul compromi\u021b\u0103tor. C\u00e2nd afl\u0103 c\u0103 acesta \u00ee\u0219i dore\u0219te mandatul de deputat, \u00ee\u0219i concentreaz\u0103 \u00eentreaga for\u021b\u0103 \u00een a-l convinge pe Tip\u0103tescu s\u0103 accepte candidatura acestuia. Datorit\u0103 ambi\u021biei \u0219i inteligen\u021bei ei, \u00eel va convinge pe Tip\u0103tescu s\u0103 negocieze returnarea scrisorii cu Nae Ca\u021bavencu, pe care tot ea \u00eel elibereaz\u0103, dup\u0103 ce prefectul, prin abuz de putere, \u00eel arestase. Cunosc\u00e2nd \u00eend\u00e2rjirea prefectului, recurge la diverse strategii, folosind, \u00een func\u021bie de situa\u021bie, un \u00eentreg arsenal de arme feminine: se lamenteaz\u0103, pl\u00e2nge, le\u0219in\u0103, profereaz\u0103 amenin\u021b\u0103ri. Astfel, dac\u0103 \u00eentr-o faz\u0103 incipient\u0103, adopt\u0103 o atitudine imploratoare: \u201eF\u0103nic\u0103, dac\u0103 m\u0103 iube\u0219ti, dac\u0103 ai \u021binut tu la mine m\u0103car un moment \u00een via\u021ba ta, scap\u0103-m\u0103, scap\u0103-m\u0103 de ru\u0219ine\u201d, \u00een final, c\u00e2nd vede c\u0103 nu are sor\u021bi de izb\u00e2nd\u0103, amenin\u021b\u0103 cu sinuciderea: \u201eTrebuie s\u0103-mi cedezi, ori nu \u0219i atuncea mor \u0219i dac\u0103 m\u0103 la\u0219i s\u0103 mor, dup\u0103 ce-oi muri, poate s\u0103 se \u00eent\u00e2mple orice\u201d.<\/p>\n\n\n\n

A doua scen\u0103.<\/strong><\/p>\n\n\n\n

            Alt\u0103 scen\u0103 semnificativ\u0103 pentru ambi\u021bia ei se g\u0103se\u0219te \u00een finalul piesei<\/strong>. Dup\u0103 ce recupereaz\u0103 scrisoarea \u0219i devine st\u0103p\u00e2n\u0103 pe situa\u021bie, vrea s\u0103-i dovedeasc\u0103 avocatului Nae Ca\u021bavencu c\u0103 este o femeie iert\u0103toare \u0219i tolerant\u0103, cer\u00e2ndu-i s\u0103 conduc\u0103 festivitatea alegerilor. \u00cei aminte\u0219te \u00een acela\u0219i timp, pe un ton ironic, c\u0103 \u201easta nu-i cea din urm\u0103 Camer\u0103\u201d. Astfel, nu doar c\u0103 nu se r\u0103zbun\u0103 pe Ca\u021bavencu, dovedind c\u0103 este \u201eo dam\u0103 bun\u0103\u201d, ci, \u00een plus, destram\u0103 orice opozi\u021bie politic\u0103 \u00een jude\u021b, prelu\u00e2nd puterea.  <\/p>\n\n\n\n

Elemente de structur\u0103 \u0219i de compozi\u021bie.<\/strong><\/p>\n\n\n\n

            Titlul<\/strong> este un element anticipator, care desemneaz\u0103 instrumentul \u0219antajului politic, o scrisoare pierdut\u0103, aparent ne\u00eensemnat\u0103, dar care ajunge s\u0103 produc\u0103 mari r\u0103sturn\u0103ri de situa\u021bie.<\/p>\n\n\n\n

            Satirizarea dorin\u021bei de parvenire \u00een timpul unei campanii electorale pentru alegerea deputa\u021bilor constituie tema<\/strong> textului.<\/p>\n\n\n\n

            Caracterizarea direct\u0103<\/strong> rezult\u0103 din replicile altor personaje \u0219i din autocaracterizare<\/strong>. \u00cen acest sens, Farfuridi afirm\u0103 c\u0103 \u201edamele sunt mai ambi\u021bioase\u201d, replica surprinz\u00e2nd tocmai aceast\u0103 dominant\u0103 de caracter. Zoe \u00eens\u0103\u0219i se autocaracterizeaz\u0103: \u201eNu \u021bi-a ajutat Dumnezeu, pentru c\u0103 e\u0219ti r\u0103u; \u0219i pentru c\u0103 eu voi s\u0103-mi ajute totdeauna, am s\u0103 fiu bun\u0103 ca \u0219i p\u00e2n\u0103 acuma\u201d.<\/p>\n\n\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Zoe Trahanache este un personaj construit admirabil, prin intermediul c\u0103ruia scriitorul satirizeaz\u0103 tare (defecte) mereu actuale: adulterul, ipocrizia, caracterul duplicitar \u0219i dorin\u021ba de parvenire \u00eentr-o societate lipsit\u0103 de repere de ordin politic \u0219i moral. Zoe Trahanache este o femeie puternic\u0103 \u0219i inteligent\u0103, care tr\u0103ie\u0219te \u00een corsetul social al unei epoci de tranzi\u021bie c\u0103tre modernitate.<\/p>\n\n\n\n

(688 de cuv.)<\/p>\n","protected":false},"excerpt":{"rendered":"

Caracterizarea lui Zoe Trahanache                Epoca marilor clasici se caracterizeaz\u0103 printr-o efervescen\u021b\u0103 creatoare f\u0103r\u0103 precedent, fiind ilustrat\u0103 de scriitorii Mihai Eminescu, I. L. Caragiale, Ioan Slavici \u0219i Ion Creang\u0103.             \u00cen acest context cultural, dramaturgul I. L. Caragiale este un martor cu nerv satiric al vremii lui, \u00een cele patru comedii: \u201eO noapte furtunoas\u0103\u201d (1879), … Continu\u0103 lectura Caracterizarea lui Zoe Trahanache<\/strong><\/span> →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8310","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=8310"}],"version-history":[{"count":1,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8310\/revisions"}],"predecessor-version":[{"id":8311,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8310\/revisions\/8311"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=8310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=8310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=8310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}