{"id":8512,"date":"2023-04-23T05:57:06","date_gmt":"2023-04-23T05:57:06","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=8512"},"modified":"2023-04-23T06:18:05","modified_gmt":"2023-04-23T06:18:05","slug":"morometii-comentariu-bacalaureat","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/04\/23\/morometii-comentariu-bacalaureat\/","title":{"rendered":"Morome\u021bii. Comentariu bacalaureat"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Perioada<\/strong> imediat urm\u0103toare celui de-al Doilea R\u0103zboi Mondial este marcat\u0103 de stagnare, de o real\u0103 criz\u0103 a culturii autohtone. Principala cauz\u0103 o reprezint\u0103 instaurarea la putere a regimului totalitar comunist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Romanul <\/strong>este o crea\u021bie epic\u0103 \u00een proz\u0103, de mari dimensiuni, cu ac\u021biune complex\u0103, desf\u0103\u0219urat\u0103 pe mai multe planuri, \u00een timp \u0219i spa\u021biu, antren\u00e2nd un num\u0103r mare de personaje, puternic individualizate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Reprezentativ\u0103 pentru perioada postbelic\u0103 este romanul realist \u201eMorome\u021bii\u201d de Marin Preda: volumul I, 1955, volumul al doilea, 1967. Neader\u00e2nd la estetica realismului socialist, predominant\u0103 \u00een epoc\u0103, romanul lui Marin Preda reu\u0219e\u0219te s\u0103 impresioneze prin perspectiva modern\u0103 \u00een care autorul abordeaz\u0103 tematica rural\u0103 \u0219i problematica \u021b\u0103ranului.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <strong>Dou\u0103 tr\u0103s\u0103turi care fac posibil\u0103 \u00eencadrarea textului narativ \u00eentr-un curent literar, realismul.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00cen primul r\u00e2nd, <\/strong>caracterul realist al romanului se eviden\u021biaz\u0103 la nivelul inten\u021bionalit\u0103\u021bii autorului de a realiza o literatur\u0103 de tip mimetic. Astfel, Marin Preda aduce \u00een fa\u021ba cititorilor imaginea satului Sili\u0219tea \u2013 Gume\u0219ti din C\u00e2mpia Dun\u0103rii, un sat supus destr\u0103m\u0103rii de c\u0103tre istorie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00cen al doilea r\u00e2nd, <\/strong>romanul \u201eMorome\u021bii\u201d \u00ee\u0219i relev\u0103 modernitatea \u0219i la nivelul construc\u021biei personajelor. Ilie Moromete este un \u021b\u0103ran unic \u00een literatura noastr\u0103, singurul \u201e\u021b\u0103ran filosof\u201d, \u00een m\u0103sura \u00een care \u00een con\u0219tiin\u021ba lui se reflect\u0103 metamorfozele \u0219i dramele istoriei.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prezentarea <strong>modului \u00een care tema se reflect\u0103 \u00een roman, prin comentarea a dou\u0103 secven\u021be narative.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00a0<\/strong>Amestecul de tradi\u021bie \u0219i modernitate este evident \u0219i \u00een plan tematic. Autorul abordeaz\u0103 at\u00e2t teme tradi\u021bionale: familia, timpul, istoria, c\u00e2t \u0219i moderne: criza comunic\u0103rii, \u00eenstr\u0103inarea, solitudinea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>O prim\u0103 secven\u021b\u0103 narativ\u0103,<\/strong> semnificativ\u0103 pentru problematica textului o <strong>constituie scena cinei<\/strong>, plasat\u0103 \u00een expozi\u021biunea romanului. La scena cinei, cititorul descoper\u0103 imaginea unei familii hibride, cu copii proveni\u021bi din dou\u0103 c\u0103s\u0103torii. Aceast\u0103 scen\u0103, considerat\u0103 de critica literar\u0103 drept prima schi\u021b\u0103 psihologic\u0103 a familiei Moromete, prefigureaz\u0103 conflictele centrale ale romanului, c\u00e2t \u0219i motivele care vor duce la destr\u0103marea familiei. A\u0219ezarea \u00een jurul mesei \u201edup\u0103 firi \u0219i neam\u201d anticipeaz\u0103 evolu\u021bia conflictului, iminenta destr\u0103mare a familiei. Cei trei fra\u021bi mai mari, Paraschiv, Nil\u0103 \u0219i Achim, st\u0103teau aproape de u\u0219\u0103, ca \u0219i c\u00e2nd ar fi fost gata, \u00een orice moment, s\u0103 plece. De cealalt\u0103 parte a mesei, l\u00e2ng\u0103 vatr\u0103, se reg\u0103sea Catrina, mama vitreg\u0103 a celor trei fra\u021bi, iar l\u00e2ng\u0103 ea \u00eei avea pe copiii f\u0103cu\u021bi cu Ilie Moromete, Niculae, Tita \u0219i Ilinca. De asemenea, autoritatea capului familiei este sugerat\u0103 \u00eenc\u0103 de pe acum : \u201eMoromete st\u0103tea parc\u0103 deasupra tuturor , veghindu-\u0219i familia , st\u0103p\u00e2nind cu privirea pe fiecare\u201d .<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A doua secven\u021b\u0103 narativ\u0103<\/strong>, semnificativ\u0103 pentru tema \u0219i viziunea despre lume a autorului, poate fi considerat\u0103 aceea <strong>a t\u0103ierii salc\u00e2mului<\/strong>. Ilie Moromete decide s\u0103 taie copacul pentru a-l vinde lui Tudor B\u0103losu \u0219i a sus\u021bine financiar plecarea lui Achim cu oile la Bucure\u0219ti. \u00cen satul Sili\u0219tea \u2013 Gume\u0219ti, salc\u00e2mul este un simbol al tr\u0103iniciei, av\u00e2nd valoarea unui axis mundi: \u201etoat\u0103 lumea cuno\u0219tea acest salc\u00e2m\u201d, fiind un martor mut al tuturor experien\u021belor de via\u021b\u0103 rural\u0103. Dobor\u00e2rea salc\u00e2mului marcheaz\u0103 \u00eenceputul declinului familiei Moromete \u0219i, totodat\u0103, al universului rural. Odat\u0103 distrus arborele sacru , lumea Morome\u021bilor \u00ee\u0219i pierde sacralitatea, iar haosul se instaleaz\u0103 treptat. Autorul noteaz\u0103: \u201egr\u0103dina , caii , Moromete \u00eensu\u0219i ar\u0103tau bicisnici\u201d. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Analiza a dou\u0103 componente<\/strong> de compozi\u021bie \/ limbaj (ac\u021biune, conflict, perspectiv\u0103 narativ\u0103, rela\u021bii temporale \u0219i spa\u021biale.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Perspectiva narativ\u0103<\/strong> este obiectiv\u0103, cu o viziune \u201edind\u0103r\u0103t\u201d, apar\u021bin\u00e2ndu-i unui narator omniscient, omniprezent \u0219i extradiegetic, care nareaz\u0103 la persoana a III-a. Spre deosebire de proza tradi\u021bional\u0103, unde omniscien\u021ba este des\u0103v\u00e2r\u0219it\u0103, \u00een romanul lui Marin Preda este vizibil\u0103 o limitare a omniscien\u021bei, fapt care are ca efect apari\u021bia, la nivelul textului, a personajelor \u2013 reflector, Ilie Moromete, \u00een primul volum, respectiv Niculae, \u00een cel de-al doilea \u0219i a personajelor \u2013 informator, precum Sc\u0103mosu, Parizianu, Ilinca.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Conflictele exterioare<\/strong> sunt urm\u0103rite la nivel ideologic. \u00cen primul volum, este conturat conflictul \u00eentre mentalitatea tradi\u021bional\u0103, reprezentat\u0103 de Ilie Moromete, \u0219i cea capitalist\u0103, la care ader\u0103 fiii s\u0103i cei mari, Paraschiv, Nil\u0103 \u0219i Achim. Cel de-al doilea volum opune alte dou\u0103 mentalit\u0103\u021bi: cea a tat\u0103lui, tributar valorilor lumii patriarhale, \u0219i cea nou\u0103, socialist\u0103, la care ader\u0103 fiul s\u0103u cel mic, Niculae. Modernitatea romanului const\u0103 \u00een sondarea <strong>conflictelor interioare<\/strong> ale actan\u021bilor, prin stil indirect liber sau scene monologate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00cen concluzie<\/strong>, crea\u021bia realist\u0103 \u201eMorome\u021bii\u201d de Marin Preda reu\u0219e\u0219te s\u0103 impresioneze prin perspectiva modern\u0103 \u00een care autorul abordeaz\u0103 tematica rural\u0103 \u0219i problematica \u021b\u0103ranului.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(685 de cuvinte)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Perioada imediat urm\u0103toare celui de-al Doilea R\u0103zboi Mondial este marcat\u0103 de stagnare, de o real\u0103 criz\u0103 a culturii autohtone. Principala cauz\u0103 o reprezint\u0103 instaurarea la putere a regimului totalitar comunist. Romanul este o crea\u021bie epic\u0103 \u00een proz\u0103, de mari dimensiuni, cu ac\u021biune complex\u0103, desf\u0103\u0219urat\u0103 pe mai multe planuri, \u00een timp \u0219i spa\u021biu, antren\u00e2nd un num\u0103r &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/04\/23\/morometii-comentariu-bacalaureat\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">Morome\u021bii. Comentariu bacalaureat<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-8512","post","type-post","status-publish","format-standard","hentry","category-bacalaureat"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=8512"}],"version-history":[{"count":5,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8512\/revisions"}],"predecessor-version":[{"id":8518,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8512\/revisions\/8518"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=8512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=8512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=8512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}