{"id":8768,"date":"2023-05-26T11:15:46","date_gmt":"2023-05-26T11:15:46","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=8768"},"modified":"2023-05-27T07:07:40","modified_gmt":"2023-05-27T07:07:40","slug":"lumea-ta-carnea-mea-oasele-noastre","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/05\/26\/lumea-ta-carnea-mea-oasele-noastre\/","title":{"rendered":"Referin\u021ba la propria-i lume"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">De aparen\u021ba unui pact, titlul <em>Lumea ta \/ Carnea mea \/ Oasele noastre<\/em> consemneaz\u0103 disponibilitatea la sacrificiu a autorului, \u00een numele unui trai \u00een fericire. Lipse\u0219te referin\u021ba la propria-i lume, a lui, a celui care scrie: el se va dedica altui univers, adus \u00een via\u021ba \u00een doi, de c\u0103tre Flavia, femeia adorat\u0103, c\u0103reia \u00eei este dedicat volumul de fa\u021b\u0103 (Editura Litera, Bucure\u0219ti, 2022), structurat \u00een trei secven\u021be echilibrate ca \u00eentindere: <em>lumea ta<\/em>, <em>carnea mea<\/em>, <em>oasele noastre<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dup\u0103 cum Lucian Blaga opunea lumina lui, o metafor\u0103 pentru cunoa\u0219terea luciferic\u0103, luminii altora, a celor care apelau la ra\u021biune, pentru elucidarea misterelor \u00eent\u00e2lnite \u00een cale, tot astfel \u0219i Andrei Novac \u00eent\u00e2mpin\u0103 t\u0103v\u0103lugul existen\u021bial, cu optima lui form\u0103 identitar\u0103, cartea \u00een sine, care devine mijloc de transformare a diversit\u0103\u021bii presupuse de noua lume, a companioanei, \u00eentr-o statur\u0103, care, de\u0219i interioar\u0103, este, totu\u0219i, destul de solid\u0103, osoas\u0103, pe care se poate stabili efervescen\u021ba unei anatomii. Convie\u021buirea \u00een armonie a celor doi \u00eendr\u0103gosti\u021bi solicit\u0103 c\u00e2te ceva din partea fiec\u0103ruia, care, \u00een osmoz\u0103, revel\u0103 modelul dragostei: \u201elumea ta, carnea mea, oasele noastre\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eLumea ta\u201d este alc\u0103tuit\u0103 din: \u201ecarnaval\u201d, \u201estrig\u0103t\u201d, \u201enostalgie\u201d, \u201eanotimp\u201d, \u201eploaie cotidian\u0103\u201d, \u201ezgomot\u201d, \u201eecou\u201d, \u201esensibilitate\u201d \u0219i \u201ecopil\u0103rie\u201d. Iat\u0103 imaginea acestei lumi: \u201egeamurile acestui bloc nu se deschid \/ lifturile nu merg\u201d (<em>peisaj<\/em>), u\u0219ile sunt deschise \u201espre miezul nop\u021bii\u201d, ora\u0219ul \u201ecre\u0219te ca un copac\u201d, precum visul sultanului din <em>Scrisoarea I<\/em> de Eminescu, \u0219i \u00ee\u0219i apleac\u0103 ramurile peste ceea ce este efemer, peste \u201ezilele \u00een care totul se arunc\u0103\u201d. \u00cent\u00e2lnirea dintre cei doi tineri este t\u0103inuit\u0103 ca un mister, dar consecin\u021bele sunt surprinse p\u00e2n\u0103 la cea mai fin\u0103 vibra\u021bie. Poetul \u00ee\u0219i recunoa\u0219te starea: \u201edup\u0103 o noapte ca asta te dezechilibrezi\u201d (<em>cu nostalgie<\/em>), precum \u0219i modific\u0103rile din propria-i existen\u021b\u0103, dar cel mai sonor fapt rezultat este nostalgia dup\u0103 cel care a fost el \u00eensu\u0219i anterior. Totu\u0219i, datorit\u0103 speran\u021bei, exprimate astfel: \u201edintre toate intersec\u021biile prin care treci, \/ cea mai frumoas\u0103 \u00eenc\u0103 nu a venit, \/ niciodat\u0103 carnea mea nu a fost mai sensibil\u0103, \/ mai dispus\u0103 s\u0103 \u00ee\u0219i dep\u0103\u0219easc\u0103 trecerea\u201d, este de preferat viitorul \u00een iubire \u0219i nu trecutul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La \u00eenceput, poetul promite Flaviei \u201e\u201ec\u00e2teva lucruri de o tandre\u021be r\u0103v\u0103\u0219itoare\u201d, iar acestea ar fi: vie\u021buirea prezentului (Carpe diem) \u201ef\u0103r\u0103 spa\u021bii de refugiu\u201d, ignorarea melancoliei, precum \u0219i a ora\u0219ului (\u201ea\u0219ezat cu spatele la melancolie \/ cu spatele la ora\u0219\u201d), f\u0103urirea de visuri, pacea (\u201enu s-a terminat \u0219i nu a \u00eenceput alt r\u0103zboi\u201d), descifrarea \u201esensului fiec\u0103rei nelini\u0219ti\u201d etc. &nbsp;Dragostea adev\u0103rat\u0103 supravie\u021buie\u0219te timpului care \u00eemb\u0103tr\u00e2ne\u0219te omul: \u201eam \u00eemb\u0103tr\u00e2nit \/ pielea noastr\u0103 se \u00eentinde ca o coal\u0103 \/ de h\u00e2rtie alb\u0103 \/ fericirea noastr\u0103 este ro\u0219ie \u0219i cald\u0103 \/ ca un apus\u201d (<em>via\u021b\u0103<\/em>).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bine scris\u0103, cu viziuni de anvergur\u0103: poetul reac\u021bioneaz\u0103 la orice vine din exterior \u0219i ilustreaz\u0103 reverbera\u021bia, prin trimitere la obiectele din ambientul s\u0103u, cartea <em>Lumea ta \/ Carnea mea \/ Oasele noastre <\/em>este, \u00een ansamblu, un c\u00e2nt dedicat dragostei.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">structura cea mai solid\u0103 a rela\u021biei, scheletul pe care se poate sprijini edificiul lor de fapte zilnice etc.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>De aparen\u021ba unui pact, titlul Lumea ta \/ Carnea mea \/ Oasele noastre consemneaz\u0103 disponibilitatea la sacrificiu a autorului, \u00een numele unui trai \u00een fericire. Lipse\u0219te referin\u021ba la propria-i lume, a lui, a celui care scrie: el se va dedica altui univers, adus \u00een via\u021ba \u00een doi, de c\u0103tre Flavia, femeia adorat\u0103, c\u0103reia \u00eei este &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/05\/26\/lumea-ta-carnea-mea-oasele-noastre\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">Referin\u021ba la propria-i lume<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8768","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=8768"}],"version-history":[{"count":2,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8768\/revisions"}],"predecessor-version":[{"id":8773,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/8768\/revisions\/8773"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=8768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=8768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=8768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}