{"id":9847,"date":"2023-10-31T06:39:48","date_gmt":"2023-10-31T06:39:48","guid":{"rendered":"https:\/\/blog.revistaderecenzii.com\/?p=9847"},"modified":"2023-10-31T06:39:48","modified_gmt":"2023-10-31T06:39:48","slug":"circuitul-destinului-alexandru-draghici-patria-din-cer-cronica-de-carte","status":"publish","type":"post","link":"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/10\/31\/circuitul-destinului-alexandru-draghici-patria-din-cer-cronica-de-carte\/","title":{"rendered":"Circuitul destinului (Alexandru Dr\u0103ghici: Patria din cer). Cronic\u0103* de carte"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"736\" height=\"1024\" src=\"https:\/\/blog.revistaderecenzii.com\/wp-content\/uploads\/2023\/10\/image-2-736x1024.png\" alt=\"\" class=\"wp-image-9848\" srcset=\"https:\/\/blog.revistaderecenzii.com\/wp-content\/uploads\/2023\/10\/image-2-736x1024.png 736w, https:\/\/blog.revistaderecenzii.com\/wp-content\/uploads\/2023\/10\/image-2-216x300.png 216w, https:\/\/blog.revistaderecenzii.com\/wp-content\/uploads\/2023\/10\/image-2-768x1068.png 768w, https:\/\/blog.revistaderecenzii.com\/wp-content\/uploads\/2023\/10\/image-2-1104x1536.png 1104w, https:\/\/blog.revistaderecenzii.com\/wp-content\/uploads\/2023\/10\/image-2.png 1148w\" sizes=\"auto, (max-width: 736px) 100vw, 736px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">*Cronic\u0103 ap\u0103rut\u0103 \u00een revista \u201eScrisul Rom\u00e2nesc\u201d, Nr. 11 \/ 2023, pp. 16 &#8211; 17)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Crescut l\u00e2ng\u0103 biserica din sat, Alexandru Dr\u0103ghici n\u0103d\u0103jduie\u0219te \u00eenspre \u201epatria din cer\u201d, metafor\u0103 pentru paradis. Pentru consolidarea op\u021biunii, chiar a\u0219a \u00ee\u0219i intituleaz\u0103 cel mai recent volum, <em>Patria din cer<\/em> (Editura Didahia, Severin, 2019), a c\u0103rui proiectare \u00een trei sec\u021biuni (<em>\u00cen tinda serii<\/em>, <em>Gulaguri vegetale <\/em>\u0219i <em>Muguri de cruce<\/em>) sugereaz\u0103 cele trei praguri esen\u021biale ale omului: ie\u0219irea \u00een lume, perenitatea naturii \u0219i via\u021ba de apoi. Elementul religios al c\u0103r\u021bii este subliniat de motto, din <em>Psalmul 103<\/em> al lui David: \u201eC\u00e2nta-voi Domnului \u00een via\u021ba mea \/ C\u00e2nta-voi Dumnezeului meu c\u00e2t voi fi. \/ Pl\u0103cute s\u0103-i fie cuvintele mele, \/ Iar eu m\u0103 voi veseli de Domnul\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pentru a ajunge \u00een paradis, acest spa\u021biu mirific, conferit de credin\u021b\u0103 \u0219i de \u00eendeplinirea riturilor str\u0103mo\u0219e\u0219ti, poetul recurge la c\u00e2teva muta\u021bii, sugestive pentru viziunea lui, c\u0103 exist\u0103, dincolo de universul fanic, o lumea etern\u0103 \u0219i armonioas\u0103. Astfel, schimb\u0103 at\u00e2t destina\u021bia, c\u00e2t \u0219i func\u021biile aspectelor care-l atrag, o sinecdoc\u0103 sui-generis. Coarnele cerbilor devin o proprietate a stelelor, lumina \u00eens\u0103\u0219i deprinde schelet osos, iarba este macatul la care \u021b\u0103ranca a lucrat iarna, \u00een cas\u0103, la r\u0103zboiul de \u021besut, pe c\u00e2nd mormintele cap\u0103t\u0103 o fa\u021b\u0103 vesel\u0103, de la buruienile care se desc\u0103tu\u0219eaz\u0103, \u00een cre\u0219tere, peste cripte: \u201eStele scutur\u0103 din coarne cerbii, \/ st\u0103 \u00een capul oaselor lumina \/ tata m\u00e2ng\u00e2ie-n macatul ierbii \/ mielul neav\u00e2ntat ce va s\u0103-l \u021bin\u0103 \/ Z\u0103pada-\u0219i zv\u00e2rle peste cas\u0103-un dinte, \/ copil\u0103re\u0219te iarba pe morminte\u201d (<em>Prim\u0103var\u0103<\/em>). \u00cendeletnicirile fire\u0219ti ale gospodarilor, precum aratul, \u00eei apropie de natura celest\u0103, suveran\u0103, iar cel mai bun exemplu este tat\u0103l poetului care, prin mersul la c\u00e2mp, tr\u0103gea spre sat pelicula ocrotitoare a zilei, \u00een detrimentul nop\u021bii (a c\u0103rei durat\u0103 parc\u0103 se restr\u00e2ngea): \u201eC\u00e2nd tata se-ntorcea de la arat \/ sufletul zilei mai sta peste sat\u201d (<em>\u00centors la vatr\u0103<\/em>). \u00centors \u00een sat, ulterior peregrin\u0103rilor prin via\u021b\u0103, fiul ia locul tat\u0103lui, ca st\u00e2lp al casei, dar, fiindc\u0103 nu preia \u0219i faptul campestru (aratul), datorit\u0103 diferen\u021bei profesionale \u0219i de viziune, clopotele domin\u0103 atmosfera, prin sunetul lor prevestitor, \u00een timp ce nop\u021bile ajung s\u0103 fie mai lungi: \u201eAcum prin curte seara \u00ee\u0219i petrece \/ fereastra \u00eentunericului rece \/ Curg clopotele zorilor spre sat \/ nu mai merge tata la arat\u201d. Odat\u0103 instalat \u00een sat, fiul se redescoper\u0103 pe sine, cu toate c\u0103 senza\u021bia schimb\u0103rii acelui modus vivendi este extrem de palpabil\u0103 \u0219i nu at\u00e2t de u\u0219oar\u0103, precum ar fi de presupus: \u201eTrece pe uli\u021b\u0103 amintirea \/ unei lini\u0219ti mioape \/ din lag\u0103rul ierbii \/ \u00eencerc\u00e2nd s\u0103 m\u0103 scape. \/ Iarna \u00eemi fur\u0103 din poart\u0103 \/ scrisoarea prim\u0103verii trecute, \/ din tind\u0103 copil\u0103ria \/ nu mai vrea s\u0103 se mute\u201d (<em>Acas\u0103<\/em>). \u00cengerii sunt preocupa\u021bi s\u0103 vesteasc\u0103 pe \u021b\u0103rani asupra etapei \u00eenfloririi cire\u0219ilor, dar \u0219i asupra trecerii vie\u021bii, fapt care nu ar trebui s\u0103-i \u00eeng\u00e2ndureze, devreme ce \u0219i \u00een cer (a\u0219a cum este \u00een\u021beles cerul: drept spa\u021biu \u00een care se reg\u0103se\u0219te divinitatea, \u00eempreun\u0103 cu eonii care \u00eel ajut\u0103 \u00een sus\u021binerea armoniei cosmice), sunt pomi \u00eenflori\u021bi, chiar cei mai spectaculari cire\u0219i din sat pot fi o imita\u021bie a celor de acolo: \u201edin calendare sfin\u021bii ne arat\u0103 \/ cire\u0219ii-n ceruri mam\u0103, \u00eenflorind\u201d (<em>Cire\u0219ii satului<\/em>). Cei care trec dincolo (\u00een lumea umbrelor etc.) nu mai au bariere a\u0219ezate dinaintea personalit\u0103\u021bii lor \u0219i, \u00een sf\u00e2r\u0219it, apar celor apropia\u021bi (cel pu\u021bin, \u00een vis) drept \u00eentruchipare a aspira\u021biei lor predilecte, a tendin\u021belor care i-au animat frecvent: \u201ePrea singur tata venise la mine \/ mirosea a gr\u00e2u \u0219i a p\u0103m\u00e2nt \/ tot satul \u00eei curgea prin vine \/ \u0219i nu putea s\u0103 zic\u0103 un cuv\u00e2nt\u201d (<em>Tata \u00een vis<\/em>); din p\u0103cate, \u00eei lipse\u0219te cuv\u00e2ntul, dar poezia pe care fiul o scrie, pe seama mesajului primit, anume s\u0103 se dedice vetrei satului, este rezolvatoare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alexandru Dr\u0103ghici se exprim\u0103 pe un spa\u021biu scurt, angren\u00e2nd viziuni \u0219i semnifica\u021bii profunde, care au rolul de a-i sublinia voca\u021bia de a-\u0219i c\u00e2nta satul \u00een versuri luminoase \u0219i elegiace, totodat\u0103, o \u00eengem\u0103nare rarisim\u0103 \u00een lirica de ast\u0103zi.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>*Cronic\u0103 ap\u0103rut\u0103 \u00een revista \u201eScrisul Rom\u00e2nesc\u201d, Nr. 11 \/ 2023, pp. 16 &#8211; 17) Crescut l\u00e2ng\u0103 biserica din sat, Alexandru Dr\u0103ghici n\u0103d\u0103jduie\u0219te \u00eenspre \u201epatria din cer\u201d, metafor\u0103 pentru paradis. Pentru consolidarea op\u021biunii, chiar a\u0219a \u00ee\u0219i intituleaz\u0103 cel mai recent volum, Patria din cer (Editura Didahia, Severin, 2019), a c\u0103rui proiectare \u00een trei sec\u021biuni (\u00cen tinda &hellip; <a href=\"https:\/\/blog.revistaderecenzii.com\/index.php\/2023\/10\/31\/circuitul-destinului-alexandru-draghici-patria-din-cer-cronica-de-carte\/\" class=\"more-link\">Continu\u0103 lectura <span class=\"screen-reader-text\">Circuitul destinului (Alexandru Dr\u0103ghici: Patria din cer). Cronic\u0103* de carte<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9847","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/9847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/comments?post=9847"}],"version-history":[{"count":1,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/9847\/revisions"}],"predecessor-version":[{"id":9849,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/posts\/9847\/revisions\/9849"}],"wp:attachment":[{"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/media?parent=9847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/categories?post=9847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.revistaderecenzii.com\/index.php\/wp-json\/wp\/v2\/tags?post=9847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}